{"id":12599,"date":"2024-10-22T05:56:43","date_gmt":"2024-10-22T05:56:43","guid":{"rendered":"https:\/\/nsf.pt\/?p=12599"},"modified":"2024-10-22T20:35:56","modified_gmt":"2024-10-22T20:35:56","slug":"aljube-em-estado-novo","status":"publish","type":"post","link":"http:\/\/nsf.pt\/index.php\/2024\/10\/22\/aljube-em-estado-novo\/","title":{"rendered":"Aljube em estado novo\u00a0"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Duas pe\u00e7as de leitura, de teatro e de intera\u00e7\u00e3o que retratam tempos da ditadura salazarista\u00a0<\/h2>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-10-22T05:56:43+00:00\">22 de Outubro, 2024<\/time><\/div>\n\n\n<h3 class=\"wp-block-heading\">O quarto piso do Museu do Aljube &#8211; Resist\u00eancia e Liberdade, em Lisboa, continua a acolher propostas muito diversificadas de express\u00e3o art\u00edstica e cultural relacionadas com a ditadura marcelo-salazarista e necessariamente sobre a resist\u00eancia e a a\u00e7\u00e3o dos opositores dentro e fora do pa\u00eds.\u00a0<\/h3>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"561\" data-id=\"12600\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-1024x561.jpg\" alt=\"\" class=\"wp-image-12600\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-1024x561.jpg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-300x164.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-768x421.jpg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube.jpg 1278w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Atores e dramaturgos no encerramento do espet\u00e1culo. Foto \u00a9CVR-NSF<\/p>\n\n\n\n<div style=\"height:13px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Desta feita \u201cDuas pe\u00e7as em estado novo\u201d foram levadas a palco por atores com percursos muito distintos, sendo alguns deles alunos da Escola Superior de Teatro e Cinema do Polit\u00e9cnico de Lisboa.\u00a0<\/p>\n\n\n\n<p>A pe\u00e7a <strong>Partida ou a mulher sem medo<\/strong> de Armando Nascimento Rosa, sobre Arajaryr Campos secret\u00e1ria e companheira de Humberto Delgado, foi proposta ao p\u00fablico num formato de \u201ccorredor de avi\u00e3o\u201d com os espectadores repartidos por duas alas posicionadas face a face, e os atores e as atrizes a ocuparem o espa\u00e7o central para o \u00a0seu desempenho, sempre apoiado por leituras de textos e pequenos improvisos.\u00a0<\/p>\n\n\n\n<p>J\u00e1 a pe\u00e7a <strong>Uma Reputa\u00e7\u00e3o<\/strong>, que incide sobre a conversa entre o padre confessor de Salazar e o pr\u00f3prio ditador que tem por tema um quadro oferecido por Hitler, teve a particularidade de revelar o &#8220;opressor no reduto dom\u00e9stico\u201d como \u00e9 caraterizado  o contexto e o ambiente da pe\u00e7a na apresenta\u00e7\u00e3o da obra de Susannah Finzi.\u00a0\u00a0<\/p>\n\n\n\n<p>Ironia, cr\u00edtica mordaz, emo\u00e7\u00f5es e informalidade marcaram estas apresenta\u00e7\u00f5es realizadas ao fim da tarde de sexta-feira dia 18 de outubro no museu de todos n\u00f3s- \u00a0o Museu do Aljube Resist\u00eancia e Liberdade.\u00a0<\/p>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"722\" data-id=\"12601\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube2-1024x722.jpg\" alt=\"\" class=\"wp-image-12601\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube2-1024x722.jpg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube2-300x211.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube2-768x541.jpg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube2.jpg 1280w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"547\" data-id=\"12602\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/teatro1-1024x547.jpg\" alt=\"\" class=\"wp-image-12602\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/teatro1-1024x547.jpg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/teatro1-300x160.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/teatro1-768x410.jpg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/teatro1.jpg 1264w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p> Fotos \u00a9CVR-NSF<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Duas pe\u00e7as de leitura, de teatro e de intera\u00e7\u00e3o que retratam tempos da ditadura salazarista\u00a0&#8230;<\/p>\n","protected":false},"author":2,"featured_media":12600,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[238,467,112],"tags":[289],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube.jpg",1278,700,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-300x164.jpg",300,164,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-768x421.jpg",640,351,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-1024x561.jpg",640,351,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube.jpg",1278,700,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube.jpg",1278,700,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-1115x700.jpg",1115,700,true],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-1024x561.jpg",1024,561,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/aljube-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"http:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/na-hora\/\" rel=\"category tag\">NA HORA<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/especial-sf\/teatro\/\" rel=\"category tag\">TEATRO<\/a>","tag_info":"TEATRO","comment_count":"0","_links":{"self":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12599"}],"collection":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=12599"}],"version-history":[{"count":2,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12599\/revisions"}],"predecessor-version":[{"id":12605,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12599\/revisions\/12605"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/12600"}],"wp:attachment":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=12599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=12599"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=12599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}