{"id":6096,"date":"2022-04-19T19:31:33","date_gmt":"2022-04-19T19:31:33","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=6096"},"modified":"2022-04-19T19:31:39","modified_gmt":"2022-04-19T19:31:39","slug":"doclisboa-dois-filmes-sobre-migracoes-fronteiras-e-racismo-no-cinema-ideal","status":"publish","type":"post","link":"http:\/\/nsf.pt\/index.php\/2022\/04\/19\/doclisboa-dois-filmes-sobre-migracoes-fronteiras-e-racismo-no-cinema-ideal\/","title":{"rendered":"Doclisboa, dois filmes sobre migra\u00e7\u00f5es, fronteiras e racismo no Cinema Ideal"},"content":{"rendered":"\n<p class=\"has-black-color has-luminous-vivid-amber-background-color has-text-color has-background\">AGENDA | Doclisboa | 21 &#8211; 27 de abril | N\u00f3s Viemos &#8211; Jamaika<\/p>\n\n\n\n<p>Pela m\u00e3o de Artur Monteiro divulg\u00e1mos a partir de Paris a apresenta\u00e7\u00e3o do filme de Jos\u00e9 Vieira, <a href=\"https:\/\/semfronteiras.eu\/index.php\/2022\/04\/13\/nos-viemos-ou-a-memoria-da-imigracao\/\">amanh\u00e3 dia 20 de abril<\/a> no Museu da Imigra\u00e7\u00e3o, tendo por protagonista Hugo dos Santos da Associa\u00e7\u00e3o M\u00e9moire Vive.<\/p>\n\n\n\n<p>Entretanto a obra tamb\u00e9m vai integrar o programa do 6.doc que em Lisboa celebra mais um anivers\u00e1rio do 25 de abril com filmes de elevad\u00edssima qualidade.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Em sala\u00a0entre\u00a0<strong>21 e 27 de Abril<\/strong><\/h2>\n\n\n\n<p>O servi\u00e7o de comunica\u00e7\u00e3o do Doclisboa partilhou connosco uma informa\u00e7\u00e3o mais precisa sobre o programa do 6.doc que passamos a divulgar:<\/p>\n\n\n\n<p>&#8220;O Doclisboa e o Cinema Ideal, no contexto do programa 6.doc, e para assinalar mais um anivers\u00e1rio do 25 de Abril, apresentam dois filmes que prop\u00f5em uma leitura sobre migra\u00e7\u00f5es, fronteiras e racismo, que estar\u00e3o em sala\u00a0 entre\u00a0<strong>21 e 27 de Abril.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" loading=\"lazy\" width=\"711\" height=\"377\" data-id=\"6097\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2022\/04\/nos1.jpg\" alt=\"\" class=\"wp-image-6097\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg 711w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1-300x159.jpg 300w\" sizes=\"(max-width: 711px) 100vw, 711px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.dropbox.com\/home\/DOCLISBOA%202022\/Comunica%C3%A7%C3%A3o%20Imprensa\/6.doc\/N%C3%B3s%20Viemos%20%26%20Jamaika\/N%C3%B3s%20Viemos\/Trailer\" target=\"_blank\">N\u00f3s\u00a0Viemos<\/a><\/strong>, do realizador portugu\u00eas\u00a0<strong>Jos\u00e9 Vieira<\/strong>, que tra\u00e7a\u00a0o retrato da imigra\u00e7\u00e3o em Fran\u00e7a nos anos 60 e nos dias de hoje. Um filme important\u00edssimo que, a partir da experi\u00eancia pessoal de emigra\u00e7\u00e3o por parte do\u00a0realizador, nos anos 60, estabelece\u00a0um di\u00e1logo entre as dificuldades sentidas pelos imigrantes portugueses e as que atravessam a actual vaga de migrantes, alguns dos quais vindos da \u00c1frica subsariana.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"N\u00f3s Viemos - Trailer em Portugu\u00eas\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/meM1xI7LuAA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><br>Em complemento, ser\u00e1 ainda exibido\u00a0<strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.dropbox.com\/home\/DOCLISBOA%202022\/Comunica%C3%A7%C3%A3o%20Imprensa\/6.doc\/N%C3%B3s%20Viemos%20%26%20Jamaika\/Jamaika\/Trailer\" target=\"_blank\">Jamaika<\/a><\/strong>, filme de estreia do fot\u00f3grafo<strong>\u00a0Jos\u00e9 Sarmento Matos<\/strong>, uma vis\u00e3o imersiva da realidade deste bairro nos arredores de Lisboa durante o per\u00edodo de confinamento devido \u00e0 pandemia Covid-19, onde a segrega\u00e7\u00e3o e a falta de pol\u00edticas p\u00fablicas intensifica as fragilidades desta comunidade.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"19\u00ba Doclisboa | Da Terra \u00e0 Lua | Jamaika | Jos\u00e9 Sarmento Matos\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/yDoEu6PVEQg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>No dia 21, a sess\u00e3o contar\u00e1 com a presen\u00e7a do realizador Jos\u00e9 Sarmento Matos e do rapper Kid Robinn (autor da m\u00fasica do filme e residente do Bairro da Jamaica), e no dia 25, a sess\u00e3o ser\u00e1 apresentada pelo escritor Bruno Vieira Amaral&#8221;.\u00a0<\/p>\n\n\n\n<p>Mais informa\u00e7\u00f5es no <a href=\"https:\/\/www.facebook.com\/events\/3097867840483168\/?acontext=%7B%22ref%22%3A%2252%22%2C%22action_history%22%3A%22[%7B%5C%22surface%5C%22%3A%5C%22share_link%5C%22%2C%5C%22mechanism%5C%22%3A%5C%22share_link%5C%22%2C%5C%22extra_data%5C%22%3A%7B%5C%22invite_link_id%5C%22%3A977645859808293%7D%7D]%22%7D\">Facebook <\/a>do 6.doc<\/p>\n\n\n\n<p><em>Fonte <strong>Patr\u00edcia Cuan<\/strong> | Communication DocLisboa<\/em><\/p>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AGENDA | Doclisboa | 21 &#8211; 27 de abril | N\u00f3s Viemos &#8211; Jamaika Pela&#8230;<\/p>\n","protected":false},"author":2,"featured_media":6097,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[337,207,317],"tags":[96],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1-300x159.jpg",300,159,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",640,339,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",640,339,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1.jpg",711,377,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/04\/nos1-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"http:\/\/nsf.pt\/index.php\/category\/25-abril22\/\" rel=\"category tag\">25 ABRIL22<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/noticias\/\" rel=\"category tag\">NOTICIAS<\/a>","tag_info":"NOTICIAS","comment_count":"0","_links":{"self":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6096"}],"collection":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=6096"}],"version-history":[{"count":1,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6096\/revisions"}],"predecessor-version":[{"id":6098,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6096\/revisions\/6098"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/6097"}],"wp:attachment":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=6096"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=6096"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=6096"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}