{"id":8783,"date":"2022-12-27T19:35:10","date_gmt":"2022-12-27T19:35:10","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=8783"},"modified":"2022-12-27T19:35:14","modified_gmt":"2022-12-27T19:35:14","slug":"agenda-os-pintores-de-canos","status":"publish","type":"post","link":"http:\/\/nsf.pt\/index.php\/2022\/12\/27\/agenda-os-pintores-de-canos\/","title":{"rendered":"AGENDA | &#8220;Os Pintores de Canos&#8221;"},"content":{"rendered":"<div class=\"wp-block-post-date\"><time datetime=\"2022-12-27T19:35:10+00:00\">27 de Dezembro, 2022<\/time><\/div>\n\n\n<h2 class=\"has-vivid-red-color has-text-color wp-block-heading\"> Uma reflex\u00e3o sobre as fragilidades da sociedade mais capitalista e menos humana <\/h2>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n<figure class=\"wp-block-post-featured-image\"><img width=\"2560\" height=\"1707\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores.jpeg\" class=\"attachment-post-thumbnail size-post-thumbnail wp-post-image\" alt=\"pintores\" decoding=\"async\" style=\"object-fit:cover;\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores.jpeg 2560w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-300x200.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1024x683.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-768x512.jpeg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1536x1024.jpeg 1536w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-2048x1366.jpeg 2048w\" sizes=\"(max-width: 2560px) 100vw, 2560px\" loading=\"lazy\" \/><\/figure>\n\n\n<p class=\"has-text-align-center has-small-font-size\">Foto \u00a9 Carlos Pereira Martins<\/p>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00abOs Pintores de Canos\u00bb apresentam em cena uma vis\u00e3o experiente de Heinrich Henkel, um ex-oper\u00e1rio.<\/p>\n\n\n\n<p>Dois oper\u00e1rios, pintores de canos trabalham mecanicamente num lugar subterr\u00e2neo, onde preservam a manuten\u00e7\u00e3o dos canos atrav\u00e9s da pintura, e \u00e9 neste local, por vezes claustrof\u00f3bico e ao mesmo tempo de uma imensid\u00e3o infinita, devido \u00e0 perenidade do trabalho que refletem sobre as suas vidas e as dispares e divergentes vis\u00f5es com que as testemunham. Por um lado, temos um oper\u00e1rio mais velho, de meia-idade, um profissional maturado, que aceita impass\u00edvel a sua vida e todas as condi\u00e7\u00f5es que esta lhe oferece sem as rebater. Por outro lado, temos um jovem oper\u00e1rio que questiona de forma contestat\u00e1ria as perspetivas do veterano trabalhador. Este principiante prolet\u00e1rio n\u00e3o aceita a apatia que esta fun\u00e7\u00e3o lhe prop\u00f5e tentando contorn\u00e1-la com algum (poss\u00edvel) lazer e desenfadamento, mas isto s\u00f3 seria poss\u00edvel com a aprova\u00e7\u00e3o e cumplicidade do seu provecto colega, e assim se iniciam as disc\u00f3rdias e conflitos destas gera\u00e7\u00f5es t\u00e3o afastadas pela idade como pelo pensamento.<\/p>\n\n\n\n<p>Esta montagem ultrapassa os debates geracionais e abre o pano para a reflex\u00e3o das fragilidades da sociedade mais capitalista e menos humana, onde todos s\u00e3o substitu\u00edveis: o medo do desemprego, os pequenos poderes e as grandes mis\u00e9rias.<\/p>\n\n\n\n<p><strong><br>OS PINTORES DE CANOS<\/strong><\/p>\n\n\n\n<p><strong>de Heinrich Henkel &#8211; A BARRACA<\/strong><\/p>\n\n\n\n<p>&#8220;Os Pintores de Canos&#8221; de Heinrich Henkel<\/p>\n\n\n\n<p>encena\u00e7\u00e3o: <a href=\"https:\/\/www.facebook.com\/aderito.lopes?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Ad\u00e9rito Lopes<\/a> \u2013 Grupo A Barraca; 2022.<\/p>\n\n\n\n<p>interpreta\u00e7\u00e3o: Sergio <a href=\"https:\/\/www.facebook.com\/sergio.m.moras?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Sergio Moras<\/a> e <a href=\"https:\/\/www.facebook.com\/vasco.lello.3?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Vasco Lello<\/a> , com participa\u00e7\u00e3o de <a href=\"https:\/\/www.facebook.com\/jsamuelma?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Samuel Moura<\/a><\/p>\n\n\n\n<p>dire\u00e7\u00e3o t\u00e9cnica e desenho de luz: <a href=\"https:\/\/www.facebook.com\/vasco.letria?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Vasco Letria<\/a><\/p>\n\n\n\n<p>sonoplastia e opera\u00e7\u00e3o de som: <a href=\"https:\/\/www.facebook.com\/ricardo.t.silva.8?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Ricardo Silva<\/a><\/p>\n\n\n\n<p>montagem e opera\u00e7\u00e3o de luz: <a href=\"https:\/\/www.facebook.com\/ruysantos007?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Ruy Santos<\/a><\/p>\n\n\n\n<p>cartaz e design gr\u00e1fico: <a href=\"https:\/\/www.facebook.com\/inescosta66?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">In\u00eas Rodrigues da Costa<\/a><\/p>\n\n\n\n<p>fotografia: <a href=\"https:\/\/www.facebook.com\/profile.php?id=1268903877&amp;__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Carlos Pereira Martins<\/a><\/p>\n\n\n\n<p>costureira: Elza Ferreira<\/p>\n\n\n\n<p>assist\u00eancia operacional: Sona Dabu<\/p>\n\n\n\n<p>produ\u00e7\u00e3o: <a href=\"https:\/\/www.facebook.com\/teatro.abarraca.1?__cft__[0]=AZXBzVjFpD305AwiNN2Z94nFspxct1dYhmftnmOro3On7iz9gkKdOdjmQ75REIDYRpeO-Mk7KEVRCkWWjBxxQjX8i3B9C33X6G4et8j6xcEyyD7vRmuu9i2ALtvVVclMB71o7J0zerB-JTHwi_Yl0gZ-rcsPVXqUOh_u9pirftjadQ&amp;__tn__=-]K-R\">Teatro A Barraca<\/a><\/p>\n\n\n\n<p>2022<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Uma reflex\u00e3o sobre as fragilidades da sociedade mais capitalista e menos humana Foto \u00a9 Carlos&#8230;<\/p>\n","protected":false},"author":2,"featured_media":8784,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[207,3,238],"tags":[],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores.jpeg",2560,1707,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-150x150.jpeg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-300x200.jpeg",300,200,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-768x512.jpeg",640,427,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1024x683.jpeg",640,427,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1536x1024.jpeg",1536,1024,true],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-2048x1366.jpeg",2048,1366,true],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1115x715.jpeg",1115,715,true],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-800x500.jpeg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-1024x683.jpeg",1024,683,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-540x340.jpeg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/pintores-400x250.jpeg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"http:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/cooperacao\/\" rel=\"category tag\">COOPERA\u00c7\u00c3O<\/a> <a href=\"http:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a>","tag_info":"DESTAQUE","comment_count":"0","_links":{"self":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8783"}],"collection":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=8783"}],"version-history":[{"count":1,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8783\/revisions"}],"predecessor-version":[{"id":8785,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8783\/revisions\/8785"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/8784"}],"wp:attachment":[{"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=8783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=8783"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=8783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}