{"id":10609,"date":"2024-01-15T16:03:36","date_gmt":"2024-01-15T16:03:36","guid":{"rendered":"https:\/\/nsf.pt\/?p=10609"},"modified":"2024-01-15T16:03:38","modified_gmt":"2024-01-15T16:03:38","slug":"jose-afonso-o-triangulo-magico-na-sua-vida-e-obra-africa-portugal-e-galiza-2","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2024\/01\/15\/jose-afonso-o-triangulo-magico-na-sua-vida-e-obra-africa-portugal-e-galiza-2\/","title":{"rendered":"Jos\u00e9 Afonso \u2013 O tri\u00e2ngulo m\u00e1gico na sua vida e obra \u2013 \u00c1frica, Portugal e Galiza"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">PAUSA CAF\u00c9 \u2013 Livro | Apresenta\u00e7\u00e3o na AJA Lisboa \u2013 <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">Portugal [2]<\/mark><\/h2>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-01-15T16:03:36+00:00\">15 de Janeiro, 2024<\/time><\/div>\n\n\n<p><strong>Depois da primeira incurs\u00e3o por \u00c1frica as palavras de Paulo Esperan\u00e7a, autor do livro \u201cJos\u00e9 Afonso \u2013 O tri\u00e2ngulo m\u00e1gico na sua vida e obra \u2013 \u00c1frica, Portugal e Galiza\u201d foram para Portugal, o segundo v\u00e9rtice do tri\u00e2ngulo m\u00e1gico.<\/strong><\/p>\n\n\n\n<div style=\"height:59px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1017\" height=\"614\" data-id=\"10621\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg\" alt=\"\" class=\"wp-image-10621\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg 1017w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-300x181.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-768x464.jpg 768w\" sizes=\"(max-width: 1017px) 100vw, 1017px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Paulo Esperan\u00e7a na AJA em Lisboa<\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Foi no dia 12 de janeiro, ao fim da tarde, que Paulo Esperan\u00e7a encheu a sala do N\u00facleo de Lisboa da AJA sito na Rua de S.Bento na capital de refer\u00eancias vivas do percurso de Jos\u00e9 Afonso. Acompanhado na mesa da sess\u00e3o por Guadalupe Portelinha, que coordena a institui\u00e7\u00e3o lisboeta. <\/p>\n\n\n\n<p><strong>S\u00e3o de Paulo Esperan\u00e7a as palavras que se seguem.<\/strong><\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><strong>PORTUGAL.<\/strong> \u00c9 o in\u00edcio do segundo v\u00e9rtice do seu tri\u00e2ngulo m\u00e1gico.<\/h2>\n\n\n\n<p>A par da criatividade para escrever e compor em nome pr\u00f3prio entra, por exemplo, pelo Cancioneiro Popular das Beiras<strong>: <\/strong>\u201cSenhora do Almort\u00e3o\u201d e \u201cResineiro Engra\u00e7ado\u201d (Cantares do Andarilho\/1968), \u201cOh! Que Calma Vai Caindo\u201d (Contos Velhos Rumos Novos\/1969), \u201cMaria Faia\u201d e \u201cModa do Entrudo\u201d (Traz Outro Amigo tamb\u00e9m\/1970).<\/p>\n\n\n\n<p>Talvez derivado dos seus contactos com estudantes a\u00e7orianos nas Rep\u00fablicas de Coimbra embrenha-se no Cancioneiro dos A\u00e7ores de que \u201cCan\u00e7\u00e3o Longe\u201d e \u201cOs Bravos\u201d (Baladas e Can\u00e7\u00f5es\/1964), \u201cSaudadinha\u201d (Cantares do Andarilho\/1968) ou \u201cS. Macaio\u201d (Contos Velhos Rumos Novos\/1969) s\u00e3o refer\u00eancias.<\/p>\n\n\n\n<div style=\"height:59px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" data-id=\"10622\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/123.jpg\" alt=\"\" class=\"wp-image-10622\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/123.jpg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/123-300x225.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/123-768x576.jpg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" data-id=\"10623\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/IMG_4780.jpeg\" alt=\"\" class=\"wp-image-10623\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/IMG_4780.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/IMG_4780-300x225.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/IMG_4780-768x576.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">O livro cont\u00e9m imensa informa\u00e7\u00e3o de qualidade sobre Jos\u00e9 Afonso<\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A sua busca por novas palavras e por sons diferentes faz navegar Jos\u00e9 Afonso pela cultura popular de m\u00faltiplas regi\u00f5es do pa\u00eds: \u201cDeus te Salve, Rosa\u201d, Tr\u00e1s-os-Montes (Contos Velhos Rumos Novos\/1969), \u201cMilho Verde\u201d (Cantigas do Maio \/1971), \u201cAs Sete Mulheres do Minho\u201d (Fura Fura\/1979) ,\u201d Vira de Coimbra\u201d (Fados de Coimbra e Outras Can\u00e7\u00f5es\/1981),\u201d Altos Altentes\u201d (Como se Fora seu Filho\/1983) entre muitas outras can\u00e7\u00f5es.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>A guerra colonial, o fascismo, a repress\u00e3o, as pris\u00f5es pol\u00edticas, a tortura, os assassinatos passam a ser uma constante no seu processo criativo seguramente tamb\u00e9m, pelos casos concretos de que ia tendo conhecimento. \u201cA Morte Saiu \u00e0 Rua\u201d dedicada ao pintor e militante comunista Jos\u00e9 Dias Coelho e \u201cPor Tr\u00e1s Daquela Janela\u201d dedicada ao tamb\u00e9m militante comunista Alfredo Matos (Eu Vou ser como a Toupeira\/1972), \u201cEra de Noite e Levaram\u201d (Contos Velhos Rumos Novos\/1969) ou o ic\u00f3nico \u201cCantar Alentejano\u201d (Cantigas do Maio\/1971) constituem paradigmas das preocupa\u00e7\u00f5es de Jos\u00e9 Afonso.<\/p>\n\n\n\n<p>Assim como, \u201cNa Rua Ant\u00f3nio Maria\u201d dedicada \u00e0 presa pol\u00edtica e militante comunista Concei\u00e7\u00e3o Matos, cantada em Paris em Novembro de 1970 e que n\u00e3o consta de qualquer edi\u00e7\u00e3o discogr\u00e1fica.<\/p>\n\n\n\n<p>\u00a9 de toda a sua raiva e amargura perante o odioso de um regime feio e amea\u00e7ante.<\/p>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-01-15T16:03:36+00:00\">15 de Janeiro, 2024<\/time><\/div>\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jos\u00e9 Afonso - Rua Ant\u00f3nio Maria\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/fKPffkBLbyY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Rua Ant\u00f3nio Maria &#8211; Jos\u00e9 Afonso | Citado pelo autor do livro<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>PAUSA CAF\u00c9 \u2013 Livro | Apresenta\u00e7\u00e3o na AJA Lisboa \u2013 Portugal [2] Depois da primeira&#8230;<\/p>\n","protected":false},"author":2,"featured_media":10621,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[238,242,469],"tags":[179],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",1017,614,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-300x181.jpg",300,181,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-768x464.jpg",640,387,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",640,386,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",1017,614,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",1017,614,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",1017,614,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque.jpg",1017,614,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/01\/paulo-destaque-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/livros-musica\/\" rel=\"category tag\">LIVROS &amp; M\u00daSICA<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/pausa-cafe\/\" rel=\"category tag\">PAUSA CAF\u00c9<\/a>","tag_info":"PAUSA CAF\u00c9","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/10609"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=10609"}],"version-history":[{"count":2,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/10609\/revisions"}],"predecessor-version":[{"id":10624,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/10609\/revisions\/10624"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/10621"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=10609"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=10609"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=10609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}