{"id":11950,"date":"2024-06-03T15:13:39","date_gmt":"2024-06-03T15:13:39","guid":{"rendered":"https:\/\/nsf.pt\/?p=11950"},"modified":"2024-06-03T15:13:41","modified_gmt":"2024-06-03T15:13:41","slug":"coimbra-e-intervencao","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2024\/06\/03\/coimbra-e-intervencao\/","title":{"rendered":"Coimbra \u00e9 interven\u00e7\u00e3o"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">DOCUMENT\u00c1RIO &#8211; M\u00fasica que come\u00e7ou a revolu\u00e7\u00e3o<\/h2>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-06-03T15:13:39+00:00\">3 de Junho, 2024<\/time><\/div>\n\n\n<p>Um document\u00e1rio que nos remete para Abril. <\/p>\n\n\n\n<p>Produ\u00e7\u00e3o: Coimbra Coolectiva, Abril 2024 Realiza\u00e7\u00e3o: Filipa Queiroz, Tiago Cerveira <\/p>\n\n\n\n<p>H\u00e1 50 anos, foi m\u00fasica que come\u00e7ou a revolu\u00e7\u00e3o. Durante 40 em ditadura, foi m\u00fasica que nutriu cora\u00e7\u00f5es de esperan\u00e7a e alento, despertou consci\u00eancias. Em Coimbra, constru\u00edram-se can\u00e7\u00f5es como guitarras que foram armas contra a opress\u00e3o, contra a viol\u00eancia, pela liberdade. Revisitamos parte dessa hist\u00f3ria e revelamos quem comp\u00f5e, escreve, toca e canta a den\u00fancia hoje, atrav\u00e9s dos pontos de vista de cinco m\u00fasicos de quatro gera\u00e7\u00f5es. Em 25 minutos e 25 segundos a palavra \u00e9 de quem acredita em sacudir para mudar. <\/p>\n\n\n\n<div style=\"height:21px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"587\" data-id=\"11951\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-1024x587.jpg\" alt=\"\" class=\"wp-image-11951\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-1024x587.jpg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-300x172.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-768x440.jpg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato.jpg 1052w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Rui Pato no document\u00e1rio &#8220;Coimbra \u00e9 Interven\u00e7\u00e3o&#8221;<\/p>\n\n\n\n<div style=\"height:17px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>\u00c9 de Rui Pato, o guitarrista que acompanhou nomes como Zeca Afonso e Adriano Correia de Oliveira, V\u00e2nia Couto, cantautora e fundadora do Coro das Mulheres da F\u00e1brica, Victor Torpedo, punk-rocker, e os rappers Rute Silva e Gon\u00e7alo O Guin\u00e9, tamb\u00e9m beatmaker, produtor e dinamizador da RodaoCentro. Coimbra \u00e9 fado, trovas, punk, rock, tradicional e rap. Coimbra \u00e9 interven\u00e7\u00e3o.<\/p>\n\n\n\n<p><em>in Youtube sobre o document\u00e1rio<\/em><\/p>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Document\u00e1rio | &quot;Coimbra \u00e9 Interven\u00e7\u00e3o&quot; (2024)\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/XpSgSw_aLBI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>DOCUMENT\u00c1RIO &#8211; M\u00fasica que come\u00e7ou a revolu\u00e7\u00e3o Um document\u00e1rio que nos remete para Abril. Produ\u00e7\u00e3o:&#8230;<\/p>\n","protected":false},"author":2,"featured_media":11951,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[421,238,483,1],"tags":[34],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato.jpg",1052,603,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-300x172.jpg",300,172,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-768x440.jpg",640,367,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-1024x587.jpg",640,367,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato.jpg",1052,603,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato.jpg",1052,603,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato.jpg",1052,603,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-1024x587.jpg",1024,587,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/06\/ui-pato-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/50anos25abril\/\" rel=\"category tag\">50ANOS25abril<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/musica\/\" rel=\"category tag\">M\u00daSICA<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/uncategorized\/\" rel=\"category tag\">Uncategorized<\/a>","tag_info":"Uncategorized","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/11950"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=11950"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/11950\/revisions"}],"predecessor-version":[{"id":11952,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/11950\/revisions\/11952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/11951"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=11950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=11950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=11950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}