{"id":12259,"date":"2024-08-09T17:04:26","date_gmt":"2024-08-09T17:04:26","guid":{"rendered":"https:\/\/nsf.pt\/?p=12259"},"modified":"2024-08-09T17:04:28","modified_gmt":"2024-08-09T17:04:28","slug":"os-livros-do-festival-3","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2024\/08\/09\/os-livros-do-festival-3\/","title":{"rendered":"Os livros do festival [3]\u00a0"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Adriano Correia de Oliveira &#8211; Cantos para calar sil\u00eancios e povoar aus\u00eancias apresentado pelo autor\u00a0<\/h2>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-08-09T17:04:26+00:00\">9 de Agosto, 2024<\/time><\/div>\n\n\n<h3 class=\"wp-block-heading\">Festival Interc\u00e9ltico, 2 e 3 de agosto 2024, Sendim<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p>M\u00e1rio Correia deu seguimento, com esta obra de noventa p\u00e1ginas sobre Adriano Correia de Oliveira, a uma estrat\u00e9gia editorial que tem em conta a evolu\u00e7\u00e3o dos \u00a0h\u00e1bitos de leitura e dos modos de ler daqueles que adquirem livros nestes dom\u00ednios tem\u00e1ticos. <\/p>\n\n\n\n<div style=\"height:28px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" data-id=\"12261\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7871.jpeg\" alt=\"\" class=\"wp-image-12261\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7871.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7871-300x225.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7871-768x576.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" data-id=\"12262\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7874.jpeg\" alt=\"\" class=\"wp-image-12262\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7874.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7874-300x225.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7874-768x576.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"768\" data-id=\"12263\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7879.jpeg\" alt=\"\" class=\"wp-image-12263\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7879.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7879-300x225.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_7879-768x576.jpeg 768w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Apresenta\u00e7\u00e3o do livro na Casa da Cultura em Sendim<\/p>\n\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>O autor manifestando a preocupa\u00e7\u00e3o de tornar acess\u00edvel a mat\u00e9ria publicada e procurando manter uma liga\u00e7\u00e3o continuada e persistente com os seus leitores ajustou mais uma vez o perfil da publica\u00e7\u00e3o ao tempo e ao modo de consumo, se de consumo podemos falar. \u00a0Livros anteriores, principalmente sobre Jos\u00e9 Afonso, j\u00e1 se inseriam neste conceito que pode ser genericamente classificada de \u201cedi\u00e7\u00e3o popular para gente sofisticada\u201d. Veja-se o \u201cParalimpsesto sobre vampiros, eunucos, chacais &amp; outras bichezas e figur\u00f5es na obra e na vida de Jos\u00e9 Afonso\u201d [2019] e o mais recente \u201cA patri\u00f3tica espia sabia bem onde morder\u201d [2024]nos quais esta linha editorial com uma forma simples, mas com conte\u00fados complexos, \u00e9 de f\u00e1cil verifica\u00e7\u00e3o.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"990\" height=\"479\" data-id=\"12264\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa_corte.jpg\" alt=\"\" class=\"wp-image-12264\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa_corte.jpg 990w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa_corte-300x145.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa_corte-768x372.jpg 768w\" sizes=\"(max-width: 990px) 100vw, 990px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Capas de livros da autoria de M\u00e1rio Correia, editados e publicados pelo Centro de M\u00fasica Tradicional Sons da Terra<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>O livro sobre Adriano Correia de Oliveira cumpre v\u00e1rios objetivos dos quais destacamos a inten\u00e7\u00e3o de reafirmar import\u00e2ncia e a urg\u00eancia de contrariar a banaliza\u00e7\u00e3o da obra do cantautor recolocando no centro da sua divulga\u00e7\u00e3o os princ\u00edpios e valores de Abril, da liberdade e da dignidade humana. Surge ainda como objetivo do autor a ilustra\u00e7\u00e3o do perfil de resistente e de lutador antifascista de Adriano. S\u00e3o in\u00fameros os dados cujas fontes s\u00e3o em primeira inst\u00e2ncia os relat\u00f3rios da pr\u00f3pria PIDE que recordam a intensa atividade do estudante, do alferes miliciano, do dirigente associativa, do militante e do companheiro de in\u00fameras batalhas de Zeca Afonso, de Fanhais, de Rui Pato e de outros, que era muitas vezes apelidada pelos agentes da pol\u00edcia pol\u00edtica de \u201csess\u00f5es de canto e de baladas\u201dou de \u201creuni\u00f5es subversivas\u201d.\u00a0<\/p>\n\n\n\n<p>M\u00e1rio Correia prop\u00f5e-nos um percurso tem\u00e1tico e hist\u00f3rico que termina com uma sele\u00e7\u00e3o comentada de poemas, com uma discografia e uma bibliografia que fornecem informa\u00e7\u00e3o detalhada e bem-estruturada sobre aquele que t\u00e3o bem cantou <em>Venho dizer-vos que n\u00e3o tenho medo. <\/em>\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Outras publica\u00e7\u00f5es que o Festival despertou<\/h2>\n\n\n\n<p>Ao longo das jornadas do Festival circulam palavras e realizam-se conversas quase intermin\u00e1veis. Os livros e as diversas publica\u00e7\u00f5es manuseadas s\u00e3o as evid\u00eancias que resistem \u00e0 dan\u00e7a dos temas e ao ziguezaques dos locais de tert\u00falia. Alguns resultam da circunst\u00e2ncia peculiar de Sendim ser a terra  de Amadeu Ferreira. A sua biografia &#8211; O fio das lembran\u00e7as &#8211; escrita por Teresa Martins Marques ser\u00e1 certamente motivo para um regresso \u00e0s terras do planalto mirand\u00eas, nem que seja pelo caminho das letras e das fotografias que a obra de mais de 700 p\u00e1ginas disponibiliza.<\/p>\n\n\n\n<div style=\"height:33px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"800\" data-id=\"12265\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa1.jpg\" alt=\"\" class=\"wp-image-12265\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa1.jpg 600w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa1-225x300.jpg 225w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"800\" data-id=\"12267\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa2.jpg\" alt=\"\" class=\"wp-image-12267\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa2.jpg 600w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa2-225x300.jpg 225w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"800\" data-id=\"12266\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa3.jpg\" alt=\"\" class=\"wp-image-12266\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa3.jpg 600w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capa3-225x300.jpg 225w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Biografia e livros publicados por Amadeu Ferreia<\/p>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"800\" height=\"600\" data-id=\"12268\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capajornal4.jpg\" alt=\"\" class=\"wp-image-12268\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capajornal4.jpg 800w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capajornal4-300x225.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/capajornal4-768x576.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Jorna de Not\u00edcias distribu\u00eddo na sess\u00e3o realizada na Casa da Cultura de Sendim<\/p>\n\n\n\n<div style=\"height:34px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-9 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"600\" height=\"800\" data-id=\"12269\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_8079.jpeg\" alt=\"\" class=\"wp-image-12269\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_8079.jpeg 600w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/IMG_8079-225x300.jpeg 225w\" sizes=\"(max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">A Vis\u00e3o Biografia com textos e apoio editorial de memvros da AJA &#8211; Associa\u00e7\u00e3o Jos\u00e9 Afonso<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Adriano Correia de Oliveira &#8211; Cantos para calar sil\u00eancios e povoar aus\u00eancias apresentado pelo autor\u00a0&#8230;<\/p>\n","protected":false},"author":2,"featured_media":12260,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[238],"tags":[569],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11.jpeg",2000,1500,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-150x150.jpeg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-300x225.jpeg",300,225,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-768x576.jpeg",640,480,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-1024x768.jpeg",640,480,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-1536x1152.jpeg",1536,1152,true],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11.jpeg",2000,1500,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-1115x715.jpeg",1115,715,true],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-800x500.jpeg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-1024x768.jpeg",1024,768,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-540x340.jpeg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/08\/CC11-400x250.jpeg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a>","tag_info":"DESTAQUE","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12259"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=12259"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12259\/revisions"}],"predecessor-version":[{"id":12270,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12259\/revisions\/12270"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/12260"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=12259"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=12259"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=12259"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}