{"id":12716,"date":"2024-10-25T21:57:45","date_gmt":"2024-10-25T21:57:45","guid":{"rendered":"https:\/\/nsf.pt\/?p=12716"},"modified":"2024-10-25T21:57:48","modified_gmt":"2024-10-25T21:57:48","slug":"a-musica-popular-acoriana-na-obra-de-jose-afonso-2","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2024\/10\/25\/a-musica-popular-acoriana-na-obra-de-jose-afonso-2\/","title":{"rendered":"A M\u00fasica Popular A\u00e7oriana na Obra de Jos\u00e9 Afonso"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"wgl-accordion_header-6496\">Catarina Cota &#8211; Resumo | Congresso Internacional Jos\u00e9 Afonso 2024 <\/h2>\n\n\n<div class=\"wp-block-post-date\"><time datetime=\"2024-10-25T21:57:45+00:00\">25 de Outubro, 2024<\/time><\/div>\n\n\n<p><\/p>\n\n\n\n<h4 class=\"wp-block-heading\" id=\"wgl-accordion_header-6496\">Partindo da disserta\u00e7\u00e3o que estou a desenvolver neste momento: \u201cOs Fluxos entre a M\u00fasica Tradicional A\u00e7oriana e a Can\u00e7\u00e3o Coimbr\u00e3 \u2013 Durante os anos 60 do s\u00e9c. XX\u201d, pretendo apresentar uma comunica\u00e7\u00e3o sobre a conviv\u00eancia de Jos\u00e9 Afonso com os estudantes a\u00e7orianos no meio de Coimbra, durante a d\u00e9cada de 60 do s\u00e9c. XX, culminando nas diversas faixas de m\u00fasica a\u00e7oriana que gravou nos seus \u00e1lbuns. Neste sentido, a minha abordagem passar\u00e1 por, atrav\u00e9s de fontes escritas e orais, retratar as influ\u00eancias da m\u00fasica popular na m\u00fasica do cantautor, a import\u00e2ncia do meio que o rodeava e que o levou a absorver estas contribui\u00e7\u00f5es e o Jos\u00e9 Afonso entre o Fado de Coimbra, o Contexto Acad\u00e9mico e as primeiras baladas.<\/h4>\n\n\n\n<div style=\"height:27px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"1006\" height=\"556\" data-id=\"12704\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg\" alt=\"\" class=\"wp-image-12704\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg 1006w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-300x166.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-768x424.jpg 768w\" sizes=\"(max-width: 1006px) 100vw, 1006px\" \/><\/figure>\n<\/figure>\n\n\n\n<p class=\"has-text-align-center\">Rep\u00fablicas em Coimbra<\/p>\n\n\n\n<div style=\"height:26px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A imers\u00e3o de Jos\u00e9 Afonso no ambiente coimbr\u00e3o&nbsp;foi&nbsp;permeada por estudantes a\u00e7orianos que proporcionaram um contato \u00edmpar com a cultura musical do arquip\u00e9lago.&nbsp;As trocas e experi\u00eancias realizadas nesse contexto nutriram a sensibilidade musical do cantautor,&nbsp;alertando-o para novos horizontes sonoros, ainda que a m\u00fasica tradicional\/ popular n\u00e3o fosse, de todo, novidade no seu repert\u00f3rio.<\/p>\n\n\n\n<p>Ao conhecer melhor a m\u00fasica popular a\u00e7oriana,&nbsp;que ouvia nos diversos conv\u00edvios que frequentava pelas&nbsp;<em>Rep\u00fablicas<\/em>&nbsp;conimbricenses,&nbsp;Jos\u00e9 Afonso encontrou uma fonte inesgot\u00e1vel de inspira\u00e7\u00e3o.&nbsp;As melodias e as tem\u00e1ticas presentes nas can\u00e7\u00f5es tradicionais a\u00e7orianas impregnaram a sua obra.<\/p>\n\n\n\n<div style=\"height:24px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Can\u00e7\u00e3o longe&quot; Jos\u00e9 Afonso\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/b0sLRkQEjRY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:35px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>A d\u00e9cada de 1960 foi um per\u00edodo de grande efervesc\u00eancia musical e cultural para Jos\u00e9 Afonso.&nbsp;A conviv\u00eancia com estudantes a\u00e7orianos em Coimbra,&nbsp;aliada \u00e0 sua sensibilidade art\u00edstica e \u00e0 abertura a novas influ\u00eancias,&nbsp;resultou em uma obra marcada pela riqueza e pela diversidade.&nbsp;A profunda imers\u00e3o na m\u00fasica tradicional a\u00e7oriana traduziu-se em can\u00e7\u00f5es que transcendem fronteiras e permanecem como um legado inestim\u00e1vel da cultura portuguesa.<\/p>\n\n\n\n<p><strong><br>Nota biogr\u00e1fica<br><\/strong>Catarina da Rocha Cota, licenciada em Hist\u00f3ria pela Faculdade de Letras da Universidade de Coimbra e, atualmente, mestranda em Hist\u00f3ria Contempor\u00e2nea pela mesma institui\u00e7\u00e3o onde est\u00e1 a desenvolver a sua disserta\u00e7\u00e3o com o tema \u201cOs fluxos entre a M\u00fasica Tradicional A\u00e7oriana e a Can\u00e7\u00e3o de Coimbra \u2013 Os anos 60 e o Disco Temas A\u00e7orianos (Baladas)&#8221;, orientada pela Prof. Doutora Leonor Losa e pelo Prof. Doutor Jo\u00e3o Paulo Avel\u00e3s Nunes.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>FONTE &#8211; <a href=\"http:\/\/aja.pt\/congresso-2024\/\">P\u00e1gina da AJA <\/a>dedicada ao Congresso<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Catarina Cota &#8211; Resumo | Congresso Internacional Jos\u00e9 Afonso 2024 Partindo da disserta\u00e7\u00e3o que estou&#8230;<\/p>\n","protected":false},"author":2,"featured_media":12704,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[371,395],"tags":[594],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",1006,556,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-300x166.jpg",300,166,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-768x424.jpg",640,353,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",640,354,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",1006,556,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",1006,556,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",1006,556,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep.jpg",1006,556,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/10\/Rep-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/cancao-de-protesto\/\" rel=\"category tag\">CAN\u00c7\u00c3O DE PROTESTO<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/zeca-afonso\/\" rel=\"category tag\">ZECA AFONSO<\/a>","tag_info":"ZECA AFONSO","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12716"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=12716"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12716\/revisions"}],"predecessor-version":[{"id":12717,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12716\/revisions\/12717"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/12704"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=12716"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=12716"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=12716"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}