{"id":12954,"date":"2024-11-10T23:14:29","date_gmt":"2024-11-10T23:14:29","guid":{"rendered":"https:\/\/nsf.pt\/?p=12954"},"modified":"2024-11-10T23:14:31","modified_gmt":"2024-11-10T23:14:31","slug":"valise-militante","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2024\/11\/10\/valise-militante\/","title":{"rendered":"Valise-militante"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">CURTAS &#8211; Manuel Tavares, sem fronteiras, no Mus\u00e9e de l\u00b4Immigration<\/h2>\n\n\n\n<p>O Palais de la Porte Dor\u00e9e acolhe uma exposi\u00e7\u00e3o \u00fanica que pela primeira vez ocupa todo o Pal\u00e1cio, desde os seus espa\u00e7os hist\u00f3ricos at\u00e9 ao Museu Nacional de Hist\u00f3ria da Imigra\u00e7\u00e3o, passando pelo Aqu\u00e1rio Tropical. 200 visualiza\u00e7\u00f5es, art\u00edsticas, hist\u00f3ricas e testemunhais, exploram a mem\u00f3ria, a invisibilidade e o anonimato para encontrar rostos e reconstituir hist\u00f3rias.<\/p>\n\n\n\n<p>Manuel Tavares aproveitou a inaugura\u00e7\u00e3o da exposi\u00e7\u00e3o para se reencontrar com a mala-militante, exposta no \u00e2mbito desta iniciativa, que simboliza contextos, situa\u00e7\u00f5es e acontecimentos pr\u00f3prios da viagem do ex\u00edlio pol\u00edtico que ele pr\u00f3prio viveu.<\/p>\n\n\n\n<div style=\"height:16px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image aligncenter size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"884\" height=\"448\" data-id=\"12955\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg\" alt=\"\" class=\"wp-image-12955\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg 884w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-300x152.jpg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-768x389.jpg 768w\" sizes=\"(max-width: 884px) 100vw, 884px\" \/><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>CURTAS &#8211; Manuel Tavares, sem fronteiras, no Mus\u00e9e de l\u00b4Immigration O Palais de la Porte&#8230;<\/p>\n","protected":false},"author":2,"featured_media":12955,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[459,448],"tags":[131],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",884,448,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-300x152.jpg",300,152,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-768x389.jpg",640,324,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",640,324,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",884,448,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",884,448,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",884,448,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-800x448.jpg",800,448,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4.jpg",884,448,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2024\/11\/mt4-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/curtas\/\" rel=\"category tag\">CURTAS<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/historia-e-memorias\/\" rel=\"category tag\">HIST\u00d3RIA E MEM\u00d3RIAS<\/a>","tag_info":"HIST\u00d3RIA E MEM\u00d3RIAS","comment_count":"0","post_mailing_queue_ids":[],"_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12954"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=12954"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12954\/revisions"}],"predecessor-version":[{"id":12956,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/12954\/revisions\/12956"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/12955"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=12954"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=12954"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=12954"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}