{"id":16062,"date":"2026-02-10T16:41:44","date_gmt":"2026-02-10T16:41:44","guid":{"rendered":"https:\/\/nsf.pt\/?p=16062"},"modified":"2026-02-10T16:41:46","modified_gmt":"2026-02-10T16:41:46","slug":"graca-dos-santos-no-mnr","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2026\/02\/10\/graca-dos-santos-no-mnr\/","title":{"rendered":"Gra\u00e7a dos Santos no MNR"},"content":{"rendered":"\n

No s\u00e1bado 7 de fevereiro realizou-se a 3\u00aa sess\u00e3o do curso \u201cDramaturgia Neorrealista: Seis dramaturgos \u2013 Seis Pe\u00e7as\u201d<\/h2>\n\n\n\n

A exposi\u00e7\u00e3o “Espelhos de ver por dentro: o Teatro no Neorrealismo Portugu\u00eas” presente no Museu do\u00a0Neo-Realismo, em Vila Franca de Xira, contou com a curadoria de Miguel Falc\u00e3o. <\/p>\n\n\n\n

No s\u00e1bado, 7 de fevereiro, o evento foi complementado com a 3\u00aa sess\u00e3o do curso \u201cDramaturgia Neorrealista: Seis dramaturgos \u2013 Seis Pe\u00e7as\u201d, orientada por Gra\u00e7a dos Santos, e uma conversa sobre a obra de Luiz Francisco Rebello. <\/p>\n\n\n\n

Houve ainda uma leitura encenada da pe\u00e7a por Maria Jo\u00e3o Lu\u00eds. <\/p>\n\n\n\n

Gra\u00e7a dos Santos recordou as atividades da jornada sinalizando “o incr\u00edvel dia 7 de fevereiro no Museu do Neorrealismo, onde ministrei a 3\u00aa sess\u00e3o do curso \u201cDramaturgia Neorrealista: Seis dramaturgos \u2013 Seis Pe\u00e7as\u201d; \u00e0 tarde uma conversa com Miguel Falc\u00e3o (curador da exposi\u00e7\u00e3o : \u00ea ) em torno da obra de Luiz Francisco Rebello proporcionou a oportunidade de discutir este autor muito importante. A pe\u00e7a esteve no centro das reflex\u00f5es produzidas”.<\/p>\n\n\n\n

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\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Fonte \u00a9 fotos MNR<\/p>\n","protected":false},"excerpt":{"rendered":"

No s\u00e1bado 7 de fevereiro realizou-se a 3\u00aa sess\u00e3o do curso \u201cDramaturgia Neorrealista: Seis dramaturgos…<\/p>\n","protected":false},"author":2,"featured_media":16063,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[238,112],"tags":[602],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",920,601,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-300x196.jpg",300,196,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-768x502.jpg",640,418,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",640,418,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",920,601,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",920,601,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",920,601,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1.jpg",920,601,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/02\/graca-1-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"DESTAQUE<\/a> TEATRO<\/a>","tag_info":"TEATRO","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16062"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=16062"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16062\/revisions"}],"predecessor-version":[{"id":16066,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16062\/revisions\/16066"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/16063"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=16062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=16062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=16062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}