{"id":16488,"date":"2026-03-19T12:24:43","date_gmt":"2026-03-19T12:24:43","guid":{"rendered":"https:\/\/nsf.pt\/?p=16488"},"modified":"2026-03-19T12:24:45","modified_gmt":"2026-03-19T12:24:45","slug":"o-burro-as-vidas-e-uma-certa-amargura-para-o-jantar","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2026\/03\/19\/o-burro-as-vidas-e-uma-certa-amargura-para-o-jantar\/","title":{"rendered":"O burro, as vidas e uma certa amargura para o jantar"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Au Hasard Balthazar<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" width=\"588\" height=\"556\" src=\"https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/Manuela-Matos-Monteiro.jpg\" alt=\"\" class=\"wp-image-16478\" style=\"aspect-ratio:1.0575539568345325;width:125px;height:auto\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/Manuela-Matos-Monteiro.jpg 588w, https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/Manuela-Matos-Monteiro-300x284.jpg 300w\" sizes=\"(max-width: 588px) 100vw, 588px\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Por Manuela Matos Monteiro<\/h3>\n\n\n\n<p><\/p>\n\n\n\n<p>Fui ver no <a href=\"https:\/\/www.facebook.com\/batalhacentrodecinema?__cft__[0]=AZbmCAxGGmx9r2HhbmQLA4VeMKZNfk72oFZ9a00WGC3Me-HybpvoJ90XBGzrL93KN6pj-Aht9_PwICaqIAo8lbbpAhJFA5PKWws-L0bJ04bZ_8a60H6KxZRQLKTbIQWq9CHEUTYQHnPqmmocypxXdMqbOActx7q30UEodXTJ8MEesQ&amp;__tn__=-]K-R\">Batalha Centro de Cinema<\/a> o filme \u201cAu Hasard Balthazar\u201d de Robert Bresson (1966) que teve uma introdu\u00e7\u00e3o de <a href=\"https:\/\/www.facebook.com\/profile.php?id=100011446524503&amp;__cft__[0]=AZbmCAxGGmx9r2HhbmQLA4VeMKZNfk72oFZ9a00WGC3Me-HybpvoJ90XBGzrL93KN6pj-Aht9_PwICaqIAo8lbbpAhJFA5PKWws-L0bJ04bZ_8a60H6KxZRQLKTbIQWq9CHEUTYQHnPqmmocypxXdMqbOActx7q30UEodXTJ8MEesQ&amp;__tn__=-]K-R\">Eduarda Neves<\/a> e de <a href=\"https:\/\/www.facebook.com\/carlos.natalio.1?__cft__[0]=AZbmCAxGGmx9r2HhbmQLA4VeMKZNfk72oFZ9a00WGC3Me-HybpvoJ90XBGzrL93KN6pj-Aht9_PwICaqIAo8lbbpAhJFA5PKWws-L0bJ04bZ_8a60H6KxZRQLKTbIQWq9CHEUTYQHnPqmmocypxXdMqbOActx7q30UEodXTJ8MEesQ&amp;__tn__=-]K-R\">Carlos Nat\u00e1lio<\/a>. Esta exibi\u00e7\u00e3o \u2013 com a sala 2 cheia de p\u00fablico &#8211; funcionou como introdu\u00e7\u00e3o ao novo Curso de Cr\u00edtica e Cinema (a ser orientado pela Eduarda e pelo Carlos).<\/p>\n\n\n\n<p>Longe da linguagem e da representa\u00e7\u00e3o da maior parte do cinema contempor\u00e2neo, este filme \u00e9 despojado, n\u00e3o distrativo. As personagens n\u00e3o s\u00e3o atores (alguns deles s\u00f3 amadores) porque o realizador n\u00e3o queria que a teatralidade da representa\u00e7\u00e3o contaminasse o acontecer. Acompanhamos um burro \u2013 de seu nome Balthasar \u2013 no acidentado percurso da sua vida e o despojamento do comportamento do animal, \u00e9 acompanhado pelo comportamento quase neutro das personagens.<\/p>\n\n\n\n<p>Percebi que esse quase vazio, essa recusa de excesso no ser e estar das personagens nos colocava em situa\u00e7\u00e3o n\u00e3o de uma forma emp\u00e1tica elementar (como no cinema mais main stream) mas pela necessidade de preencher. E aqui, percebe-se que este entrar nas cenas \u00e9 constru\u00eddo, logo, mais comprometido.<\/p>\n\n\n\n<p>\u00c9 um filme duro em que o sofrimento do animal vai a par do sofrimento de Marie.<\/p>\n\n\n\n<p>Li como sintoma, o sil\u00eancio quase quieto das pessoas quando o ecr\u00e3 se apagou, Eu trouxe uma certa amargura para o jantar e n\u00e3o devo ter sido a \u00fanica.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Au Hasard Balthazar Por Manuela Matos Monteiro Fui ver no Batalha Centro de Cinema o&#8230;<\/p>\n","protected":false},"author":2,"featured_media":16489,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[669,459],"tags":[632],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard.jpg",1054,539,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-300x153.jpg",300,153,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-768x393.jpg",640,328,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-1024x524.jpg",640,328,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard.jpg",1054,539,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard.jpg",1054,539,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard.jpg",1054,539,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-800x500.jpg",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-1024x524.jpg",1024,524,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2026\/03\/hasard-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/cinema\/\" rel=\"category tag\">CINEMA<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/curtas\/\" rel=\"category tag\">CURTAS<\/a>","tag_info":"CURTAS","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16488"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=16488"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16488\/revisions"}],"predecessor-version":[{"id":16490,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/16488\/revisions\/16490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/16489"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=16488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=16488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=16488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}