{"id":2062,"date":"2020-09-27T12:20:26","date_gmt":"2020-09-27T12:20:26","guid":{"rendered":"http:\/\/aep61-74.org\/?p=2062"},"modified":"2022-07-03T23:35:07","modified_gmt":"2022-07-03T23:35:07","slug":"cancao-de-protesto-e-exilio-o-canto-nosso-de-cada-dia-10","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2020\/09\/27\/cancao-de-protesto-e-exilio-o-canto-nosso-de-cada-dia-10\/","title":{"rendered":"CAN\u00c7\u00c3O DE PROTESTO E EX\u00cdLIO | O canto nosso de cada dia |10|"},"content":{"rendered":"\n<p>SF | 25-09-2020 |MIKIS THEODORAKIS|<em>Ta Yelasto Pedi<\/em> |  sele\u00e7\u00e3o e orienta\u00e7\u00e3o de M\u00e1rio Alves.<\/p>\n\n\n\n<p>Conclus\u00e3o do Canto nosso de cada dia | 10 dias, 10 can\u00e7\u00f5es | Um panorama SEM FRONTEIRAS da Can\u00e7\u00e3o de Protesto e Ex\u00edlio que teve na sua base a sele\u00e7\u00e3o, orienta\u00e7\u00e3o e por vezes tradu\u00e7\u00e3o de M\u00e1rio Alves.<\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mikis Theodorakis To Yelasto Pedi 1974\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/rat6uVvVZSQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p><em>Ta Yelasto Pedi (The laughing boy) *<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Letra:Brendan Bohan<\/em><\/p>\n\n\n\n<p><em>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; M\u00fasica: Mikis Theodorakis<\/em><\/p>\n\n\n\n<p>It was on an August morning, all in the morning hours,<br>I went to take the warming air all in the month of flowers,<br>And there I saw a maiden and heard her mournful cry,<br>Oh, what will mend my broken heart, I&#8217;ve lost my Laughing Boy.<\/p>\n\n\n\n<p>So strong, so wide, so brave he was, I&#8217;ll mourn his loss too sore<br>When thinking that we&#8217;ll hear the laugh or springing step no more.<br>Ah, curse the time, and sad the loss my heart to crucify,<br>Than an Irish son, with a rebel gun, shot down my Laughing Boy.<\/p>\n\n\n\n<p>Oh, had he died by Pearse&#8217;s side, or in the GPO,<br>Killed by an English bullet from the rifle of the foe,<br>Or forcibly fed while Ashe lay dead in the dungeons of Mountjoy,<br>I&#8217;d have cried with pride at the way he died, my own dear Laughing Boy.<\/p>\n\n\n\n<p>My princely love, can ageless love do more than tell to you<br>Go raibh m\u00edle maith agat, for all you tried to do,<br>For all you did and would have done, my enemies to destroy,<br>I&#8217;ll prize your name and guard your fame, my own dear Laughing Boy.&nbsp;<\/p>\n\n\n\n<p><em>*Escrita originalmente por Brendan Bohan em homenagem ao her\u00f3i revolucion\u00e1rio irland\u00eas Michael Collins, Ta Yelasto Pedi (o rapaz sorridente) \u00e9 ainda hoje uma das can\u00e7\u00f5es de protesto mais populares na Gr\u00e9cia, gra\u00e7as a Mikis Theodorakis, que a adaptou na d\u00e9cada de 60. Ao&nbsp; longo dos anos associada a v\u00e1rias figuras da resist\u00eancia grega: Sotiris Petroulas , assassinado pela pol\u00edcia aos 22 anos numa manifesta\u00e7\u00e3o em Julho de 1965, ou o deputado grego Grigoris Lambrakis,&nbsp; cujo assassinato \u00e9 o tema central do filme \u201cZ\u201d, do realizador Costa-Gravas, que usou a can\u00e7\u00e3o a como tema musical do filme. O v\u00eddeo que aqui partilhamos \u00e9 do primeiro concerto de Theodorakis em Atenas ap\u00f3s a queda da ditadura militar em 1974, No palco, al\u00e9m de Theodorakis (a dirigir a orquestra) e Maria, podem ver-se tamb\u00e9m outros destacados m\u00fasicos gregos da \u00e9poca: Yiorgos Dalaras, Adwnis Kalogiannis, Petros Pandis e Yiorgos Theodorakis.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>SF | 25-09-2020 |MIKIS THEODORAKIS|Ta Yelasto Pedi | sele\u00e7\u00e3o e orienta\u00e7\u00e3o de M\u00e1rio Alves. Conclus\u00e3o&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[371],"tags":[58],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane-150x150.png",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane-300x112.png",300,112,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",640,239,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",640,239,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",733,274,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",540,202,false],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2020\/09\/mikisbane.png",400,150,false]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/cancao-de-protesto\/\" rel=\"category tag\">CAN\u00c7\u00c3O DE PROTESTO<\/a>","tag_info":"CAN\u00c7\u00c3O DE PROTESTO","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/2062"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=2062"}],"version-history":[{"count":3,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/2062\/revisions"}],"predecessor-version":[{"id":2166,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/2062\/revisions\/2166"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/2063"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=2062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=2062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=2062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}