A pe\u00e7a em si contava a hist\u00f3ria dos roubos noturnos que o filho de patr\u00e3o realizava no cofre da empresa e relatava a agress\u00e3o de que foi v\u00edtima infligida pelo pr\u00f3prio pai, que desconhecendo a identidade do ladr\u00e3o acabou por o incapacitar, num dos bra\u00e7os, para.o resto da vida.<\/p>\n\n\n\n O tema serviu de ponto de partida para denunciar a explora\u00e7\u00e3o nas f\u00e1bricas de lanif\u00edcios na Beira Interior e apontar as dificuldades de organiza\u00e7\u00e3o de atividades de resist\u00eancia e de oposi\u00e7\u00e3o quando rela\u00e7\u00e3o entre o mundo fabril e as origens rurais dos seus principais protagonistas \u00e9 muito significativa.<\/p>\n\n\n\n A pe\u00e7a termina com um fervoroso apelo \u00e0 participa\u00e7\u00e3o nas a\u00e7\u00f5es do 1\u00ba de maio e articula-se com atividades musicais em torno de uma can\u00e7\u00e3o trabalhada com o apoio do grupo os “Camaradas” denominada “J\u00e1 o meu pai me dizia”.<\/strong><\/em><\/p>\n\n\n\n <\/p>\n<\/div><\/div>\n\n\n\n O grupo de teatro passou a ser solicitado para atua\u00e7\u00f5es em festas e iniciativas de outras associa\u00e7\u00f5es e uma das suas caracter\u00edsticas era a versatilidade j\u00e1 que, para al\u00e9m da pe\u00e7a o Maneta, dispunha de uma n\u00facleo de atores que colocava em palco outras pe\u00e7as como O Soldado e o 18 de Janeiro do Teatro Oper\u00e1rio de Paris.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n<\/div><\/div>\n\n\n\n No final das atua\u00e7\u00f5es promovia-se o debate e incentiva-se \u00e0 organiza\u00e7\u00e3o de grupos de teatro nos clubes e nas associa\u00e7\u00f5es.<\/p>\n\n\n\n Carlos Ribeiro | Dinamizador do Teatro de Gentilly com o apoio insubstitu\u00edvel do C\u00e2ndido Ferreira e com a participa\u00e7\u00e3o de in\u00fameros amigos, familiares e camaradas.<\/p>\n","protected":false},"excerpt":{"rendered":" REVISITAR EXPERI\u00caNCIAS | O Teatro e o combate \u00e0 extrema-direita (9) Teatro de Gentilly (2)…<\/p>\n","protected":false},"author":2,"featured_media":3636,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[239,112],"tags":[205],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",1600,1200,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038-300x225.jpg",300,225,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038-768x576.jpg",640,480,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038-1024x768.jpg",640,480,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038-1536x1152.jpg",1536,1152,true],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",1600,1200,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",953,715,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",667,500,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",1024,768,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",453,340,false],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/20210629_190038.jpg",333,250,false]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"ESPECIAL-SF<\/a> TEATRO<\/a>","tag_info":"TEATRO","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3618"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=3618"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3618\/revisions"}],"predecessor-version":[{"id":3635,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3618\/revisions\/3635"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/3636"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=3618"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=3618"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=3618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/20210629_190403-1024x768.jpg\")
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