{"id":3664,"date":"2021-07-07T22:15:22","date_gmt":"2021-07-07T22:15:22","guid":{"rendered":"http:\/\/aep61-74.org\/?p=3664"},"modified":"2021-10-05T12:06:41","modified_gmt":"2021-10-05T12:06:41","slug":"que-tipo-de-teatro-era-o-do-teatro-operario-de-paris-11","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2021\/07\/07\/que-tipo-de-teatro-era-o-do-teatro-operario-de-paris-11\/","title":{"rendered":"Que tipo de teatro era o do Teatro Oper\u00e1rio de Paris? (11)"},"content":{"rendered":"\n<p>REVISITAR EXPERI\u00caNCIAS | O Teatro e o combate \u00e0 extrema-direita (11)<\/p>\n\n\n\n<p>Helder Costa (continua\u00e7\u00e3o &#8211; Teatro Centelha 1977) | Editado Carlos Ribeiro &#8211; SF<\/p>\n\n\n\n<p><strong> QUAL ERA O NOSSO \u201cTIPO\u201d DE TEATRO<\/strong>?<\/p>\n\n\n\n<p><strong>Bem, a primeira coisa que \u00e9 preciso dizer, \u00e9 que o nosso nascimento como grupo de teatro\u00a0n\u00e3o foi propriamente ortodoxo nem cl\u00e1ssico. N\u00f3s come\u00e7\u00e1mos a fazer, porque quer\u00edamos utilizar essa t\u00e9cnica\u00a0de comunica\u00e7\u00e3o para propagandear uma determinada vis\u00e3o pol\u00edtica<\/strong>.\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Por aqui, parece que n\u00e3o vem mal ao Mundo, pois \u00e9 o que toda a gente faz, (mesmo os que, eventualmente, n\u00e3o tenham consci\u00eancia disso), de uma forma mais ou menos aberta ou mascarada.&nbsp;<\/p>\n\n\n\n<blockquote class=\"wp-block-quote\"><p>Mas, \u00e9 evidente, que a op\u00e7\u00e3o do \u201cagitador pol\u00edtico\u201d\u00a0acaba por cortar um pouco\u00a0as pernas \u00e0 procura est\u00e9tica, \u00e0 imagina\u00e7\u00e3o e ao estudo, indispens\u00e1vel ao objecto art\u00edstico.\u00a0<\/p><\/blockquote>\n\n\n\n<p>E, com isto, n\u00e3o quero dizer, evidentemente, que s\u00f3 a imagem ou o exemplo metaf\u00f3rico ou \u201calusionista\u201d\u00a0mere\u00e7am o atestado de \u201cObra de Arte\u201d.\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>O Bordalo Pinheiro e o Ant\u00f3nio Aleixo s\u00e3o bem directos e expressivos, no que desenharam e versejaram, e ningu\u00e9m pensa\u00a0(espero) acus\u00e1-los de artistas \u201cinferiores\u201d.\u00a0<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"605\" height=\"765\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/bord.png\" alt=\"\" data-id=\"3665\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/bord.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3665\" class=\"wp-image-3665\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/bord.png 605w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/bord-237x300.png 237w\" sizes=\"(max-width: 605px) 100vw, 605px\" \/><figcaption class=\"blocks-gallery-item__caption\">Bordalo Pinheiro<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"453\" height=\"445\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/aleixo.png\" alt=\"\" data-id=\"3666\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/aleixo.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3666\" class=\"wp-image-3666\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/aleixo.png 453w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/aleixo-300x295.png 300w\" sizes=\"(max-width: 453px) 100vw, 453px\" \/><figcaption class=\"blocks-gallery-item__caption\">Ant\u00f3nio Aleixo<\/figcaption><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>Como balan\u00e7o final, julgo que esse poss\u00edvel \u201cpecado original\u201d foi ultrapassado de uma forma correcta. Auxiliados por leituras indispens\u00e1veis, e retirando as li\u00e7\u00f5es da pr\u00e1tica, cheg\u00e1mos \u00e0s seguintes conclus\u00f5es e reflex\u00f5es:\u00a0<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Ideologia<\/h2>\n\n\n\n<ol><li>O teatro reflecte sempre uma determinada ideologia; essa ideologia est\u00e1 sempre ao servi\u00e7o de um dos interesses:\u00a0ou os interesses dos explorados e oprimidos, ou os interesses dos exploradores e opressores.\u00a0Em marxismo, diz-se: a favor da burguesia ou a favor do proletariado;\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Agita\u00e7\u00e3o e propaganda<\/h2>\n\n\n\n<ol start=\"2\"><li>Toda a forma de arte\u00a0\u00e9 pol\u00edtica, por conseguinte. O que quer dizer, que tem sempre a ver com formas de agita\u00e7\u00e3o\u00a0e propaganda. Mas a agita\u00e7\u00e3o e propaganda exigem,\u00a0para serem eficazes, uma Arte complicada e\u00a0evolu\u00edda. N\u00e3o bastam palavras, imagens, s\u00edmbolos amontoados e slogans, para que se consiga\u00a0convencer quem nos escuta, da raz\u00e3o que nos assiste;\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Claro, compreens\u00edvel e sugestivo<\/h2>\n\n\n\n<ol start=\"3\"><li>A responsabilidade m\u00e1xima\u00a0do trabalhador do campo art\u00edstico\u00a0(profissional ou amador, isso n\u00e3o interessa), \u00e9 precisamente a de saber utilizar todos os seus recursos, dotes e\u00a0conhecimentos intelectuais, est\u00e9ticos e imaginativos, de forma a tornar claro, compreens\u00edvel\u00a0e sugestivo, tudo o que\u00a0apresenta\u201c;\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Imaginativos e antitradicionalistas<\/h2>\n\n\n\n<ol start=\"4\"><li>Ser claro\u00a0e sugestivo, n\u00e3o\u00a0significa ser prim\u00e1rio e limitado. Ali\u00e1s, nem a Arte Popular\u00a0costuma ser naturalista ou meramente \u201cfotogr\u00e1fica\u201d. A imagina\u00e7\u00e3o dos poetas\u00a0e dos escultores populares\u00a0d\u00e1-lhes asas e o gosto de serem imaginativos e\u00a0antitradicionalistas;\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">O campo de perten\u00e7a<\/h2>\n\n\n\n<ol start=\"5\"><li>N\u00e3o havendo, por conseguinte, a obrigatoriedade\u00a0de ser \u201cnormal\u201d e \u201cnatural\u201d, o \u00fanico problema que se p\u00f5e na obra de Arte (conto, poema, can\u00e7\u00e3o, encena\u00e7\u00e3o de teatro, etc.), \u00e9 o de\u00a0saber at\u00e9 onde pode ir\u00a0a\u00a0imagina\u00e7\u00e3o do artista. Utilizando a met\u00e1fora e procurando\u00a0o belo, o artista s\u00f3 tem de se preocupar com uma quest\u00e3o: a imagem que quer mostrar\u00a0pertence, efectivamente, ao campo e \u00e0 cultura popular, ou n\u00e3o passa de um artif\u00edcio est\u00e9tico formalista burgu\u00eas?\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Desviar e enfeudar<\/h2>\n\n\n\n<ol start=\"6\"><li>O formalismo burgu\u00eas tem de ser combatido. N\u00e3o propriamente pelos preju\u00edzos\u00a0que pode causar ao povo, dado que ser\u00e1 necessariamente incompreens\u00edvel e vazio; mas sim, porque desvia o povo do campo art\u00edstico, e porque enfeuda o artista\u00a0progressista a amarras e novo tipo de preconceitos que acabar\u00e3o por o destruir;\u00a0<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">O povo como her\u00f3i<\/h2>\n\n\n\n<ol start=\"7\"><li>A linha condutora do nosso trabalho n\u00e3o era pessimista, nem derrotista. Separados do mundo da trag\u00e9dia, porque n\u00e3o acreditamos no Destino nem em\u00a0for\u00e7as sobrenaturais, estamos ligados \u00e0 vida, confiamos na luta, e combatemos pela transforma\u00e7\u00e3o do mundo.\u00a0Esta posi\u00e7\u00e3o liga-nos a um trabalho assente na cr\u00edtica, na s\u00e1tira e no humor. E, como tem\u00e1tica, obriga-nos a procurar o povo como her\u00f3i\u00a0e testemunho das nossas hist\u00f3rias;<\/li><\/ol>\n\n\n\n<h2 class=\"wp-block-heading\">Dial\u00e9tica e contradi\u00e7\u00e3o<\/h2>\n\n\n\n<ol start=\"8\"><li>Saber divertir, e saber fazer rir, tem a ver com a procura de uma t\u00e9cnica emocional. Mas n\u00f3s n\u00e3o queremos que o nosso p\u00fablico esteja perante os nossos espect\u00e1culos\u00a0como se estivesse a ouvir anedotas. E isso d\u00e1-nos novas responsabilidades\u00a0bem\u00a0dif\u00edceis:\u00a0as de conseguir transmitir\u00a0as teses essenciais que o povo tem de aprender para se conseguir libertar\u00a0da explora\u00e7\u00e3o e da opress\u00e3o. Para isso, exclu\u00eddos\u00a0o discurso e o slogan, a li\u00e7\u00e3o professoral e enfadonha, a ang\u00fastia, o pessimismo\u00a0e o derrotismo, resta-nos a \u00fanica sa\u00edda justa: saber comunicar\u00a0de uma forma dial\u00e9ctica e contradit\u00f3ria os dados, as informa\u00e7\u00f5es e emo\u00e7\u00f5es indispens\u00e1veis para que os c\u00e9rebros e as sensibilidades se abram ao que propomos.\u00a0<\/li><\/ol>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Brecht<\/h2>\n\n\n\n<ol start=\"9\"><li>Como adquiri este saber?&nbsp;<\/li><\/ol>\n\n\n\n<p>Os trabalhadores de teatro, como qualquer trabalhador&nbsp;da agricultura ou ind\u00fastria, t\u00eam de ser bons executantes da sua profiss\u00e3o. Para isso t\u00eam de&nbsp;<em>estudar e experimentar<\/em>. N\u00e3o podem ter peias nem complexos. E, fundamentalmente, t\u00eam de aprender o que Brecht dizia em rela\u00e7\u00e3o aos actores: \u201c<em>Se o actor n\u00e3o quer ser nem um papagaio&nbsp;nem um macaco de imita\u00e7\u00e3o, precisa de assimilar os conhecimentos da sua \u00e9poca sobre a vida social participando na luta de classes<\/em>\u201d.&nbsp;<\/p>\n\n\n\n<p>Setembro 1977\u00a0<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">PE\u00c7AS<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">O SOLDADO | 18 DE JANEIRO<\/h3>\n\n\n\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"657\" height=\"929\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/o-soldado-1.png\" alt=\"\" data-id=\"3669\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/o-soldado-1.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3669\" class=\"wp-image-3669\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/o-soldado-1.png 657w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/o-soldado-1-212x300.png 212w\" sizes=\"(max-width: 657px) 100vw, 657px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"654\" height=\"936\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/18-jan.png\" alt=\"\" data-id=\"3670\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/18-jan.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3670\" class=\"wp-image-3670\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/18-jan.png 654w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/18-jan-210x300.png 210w\" sizes=\"(max-width: 654px) 100vw, 654px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A TERRA A QUEM A TRABALHA<\/h3>\n\n\n\n<h3 class=\"wp-block-heading\">Pe\u00e7a conjunta do Teatro Oper\u00e1rio de Paris e do Teatro de Gentilly <\/h3>\n\n\n\n<p>Representada no Luxemburgo (fotos cedidas por Ant\u00f3nio Paiva)<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide columns-3 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"180\" height=\"213\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/unnamed-1.jpeg\" alt=\"\" data-id=\"3672\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3672\" class=\"wp-image-3672\"\/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"574\" height=\"432\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra2.png\" alt=\"\" data-id=\"3673\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3673\" class=\"wp-image-3673\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra2.png 574w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra2-300x226.png 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra2-326x245.png 326w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra2-80x60.png 80w\" sizes=\"(max-width: 574px) 100vw, 574px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"611\" height=\"431\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra1.png\" alt=\"\" data-id=\"3674\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra1.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3674\" class=\"wp-image-3674\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra1.png 611w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra1-300x212.png 300w\" sizes=\"(max-width: 611px) 100vw, 611px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-7 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"578\" height=\"424\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra4.png\" alt=\"\" data-id=\"3675\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra4.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3675\" class=\"wp-image-3675\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra4.png 578w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra4-300x220.png 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra4-80x60.png 80w\" sizes=\"(max-width: 578px) 100vw, 578px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"579\" height=\"420\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra7.png\" alt=\"\" data-id=\"3676\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra7.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3676\" class=\"wp-image-3676\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra7.png 579w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra7-300x218.png 300w\" sizes=\"(max-width: 579px) 100vw, 579px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<div class=\"wp-block-cover alignwide has-background-dim-20 has-background-dim is-position-center-center\" style=\"min-height:375px\"><img decoding=\"async\" loading=\"lazy\" width=\"612\" height=\"435\" class=\"wp-block-cover__image-background wp-image-3678\" alt=\"\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/07\/terra6.png\" style=\"object-position:59% 94%\" data-object-fit=\"cover\" data-object-position=\"59% 94%\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra6.png 612w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra6-300x213.png 300w\" sizes=\"(max-width: 612px) 100vw, 612px\" \/><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<p class=\"has-text-align-center has-text-color\" style=\"color:#fffffa;font-size:74px;line-height:1.1\"><\/p>\n<\/div><\/div>\n\n\n\n<p><em>Fotos | Arquivo Carlos Neves e Ant\u00f3nio Paiva<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVISITAR EXPERI\u00caNCIAS | O Teatro e o combate \u00e0 extrema-direita (11) Helder Costa (continua\u00e7\u00e3o &#8211;&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3677,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[239,112],"tags":[205],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3-150x150.png",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3-300x207.png",300,207,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",613,422,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",494,340,false],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/07\/terra3.png",363,250,false]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/especial-sf\/\" rel=\"category tag\">ESPECIAL-SF<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/especial-sf\/teatro\/\" rel=\"category tag\">TEATRO<\/a>","tag_info":"TEATRO","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3664"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=3664"}],"version-history":[{"count":4,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3664\/revisions"}],"predecessor-version":[{"id":3681,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3664\/revisions\/3681"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/3677"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=3664"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=3664"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=3664"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}