{"id":3926,"date":"2021-09-01T16:46:59","date_gmt":"2021-09-01T16:46:59","guid":{"rendered":"http:\/\/aep61-74.org\/?p=3926"},"modified":"2021-10-04T22:43:37","modified_gmt":"2021-10-04T22:43:37","slug":"agenda-santiago-italia","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2021\/09\/01\/agenda-santiago-italia\/","title":{"rendered":"AGENDA | Santiago, It\u00e1lia"},"content":{"rendered":"\n<p>VER NA TV | Agenda cultural<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">por Carlos Neves<\/h2>\n\n\n\n<p><\/p>\n\n\n\n<p>Santiago, It\u00e1lia | Nanni Moretti&nbsp;\u00b7&nbsp;Document\u00e1rio | 2018&nbsp;\u00b7 1h 20min<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">O golpe de Estado que derrubou o regime de Salvador Allende aconteceu a 11 de setembro de 1973. A assinalar a data, estreia o document\u00e1rio de Nanni Moretti, Santiago, It\u00e1lia: vozes de quem fugiu da ditadura de Pinochet para uma p\u00e1tria &#8220;materna&#8221;, de bra\u00e7os abertos.<br><\/h3>\n\n\n\n<p>Nanni Moretti habituou-nos a uma marcada atitude pol\u00edtica.<\/p>\n\n\n\n<p>Atrav\u00e9s de entrevistas realizadas aos protagonistas, o filme relata este per\u00edodo dram\u00e1tico da hist\u00f3ria do Chile, onde alguns diplomatas italianos conseguiram salvar tantas vidas humanas.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Da alegria \u00e0 trag\u00e9dia<\/h2>\n\n\n\n<p>Com um vasto painel de entrevistados, entre os quais os realizadores chilenos Patricio Guzm\u00e1n (Nostalgia da Luz) e Miguel Litt\u00edn (Actas de Marusia) &#8211; cujas filmografias est\u00e3o intimamente ligadas \u00e0 hist\u00f3ria pol\u00edtica do pa\u00eds -, o document\u00e1rio segue os relatos da alegria gerada pela elei\u00e7\u00e3o de Salvador Allende e a subsequente queda tr\u00e1gica do regime democr\u00e1tico, com a atmosfera que se gerou e os ataques \u00e0queles que advogavam ideias de igualdade e liberdade, num genu\u00edno esp\u00edrito coletivo. As hist\u00f3rias pessoais de tortura misturam-se com uma vis\u00e3o mais abrangente dos acontecimentos.<\/p>\n\n\n\n<p>Intercalando os depoimentos com algumas imagens documentais, por vezes, de sil\u00eancios comovidos, a maneira como Moretti capta a &#8220;personagem&#8221; que existe num ser humano: uma mulher, com jeitos de diva, que relata o seu caso de tortura como quem est\u00e1 a falar de manicura&#8230; Essa n\u00e3o formata\u00e7\u00e3o da v\u00edtima, essa aten\u00e7\u00e3o ao diverso, \u00e9 tamb\u00e9m uma qualidade de quem sabe observar o outro.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SANTIAGO, ITALIA de Nanni Moretti TRAILER\" src=\"https:\/\/player.vimeo.com\/video\/354225054?h=0d6151f029&amp;dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Eu n\u00e3o sou imparcial<\/h2>\n\n\n\n<p>Moretti d\u00e1 voz a dois militares, isoladamente, para ter tamb\u00e9m o seu ponto de vista nesta recolha, a certa altura, um deles indigna-se com as perguntas e diz que tinha sido convocado para uma entrevista imparcial. Ao que Moretti, na sua assertividade refrescante \u00e0 frente da c\u00e2mara (na \u00fanica vez que o faz), responde: &#8220;Eu n\u00e3o sou imparcial&#8221;.<\/p>\n\n\n\n<p>Um desafio ao espectador, medir o grau de (im)parcialidade para com o que acontece \u00e0 sua volta. Um documento pleno de fraternidade, contra o veneno das sociedades individualistas.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"533\" height=\"800\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/09\/santiagopeq.png\" alt=\"\" data-id=\"3931\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/09\/santiagopeq.png\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3931\" class=\"wp-image-3931\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/santiagopeq.png 533w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/santiagopeq-200x300.png 200w\" sizes=\"(max-width: 533px) 100vw, 533px\" \/><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"400\" height=\"600\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/09\/santiago2-1.jpg\" alt=\"\" data-id=\"3932\" data-full-url=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/09\/santiago2-1.jpg\" data-link=\"http:\/\/aep61-74.org\/?attachment_id=3932\" class=\"wp-image-3932\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/santiago2-1.jpg 400w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/santiago2-1-200x300.jpg 200w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/figure><\/li><\/ul><\/figure>\n\n\n\n<p>FICHA T\u00c9CNICA T\u00edtulo original<br>Santiago, Italia<br><br>Argumento<br>Nanni Moretti<br><br>Sandoval, Carlos Nu\u00f1ez)<br><br>Int\u00e9rpretes<br>Nanni Moretti<br><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized is-style-rounded\"><img decoding=\"async\" loading=\"lazy\" src=\"http:\/\/aep61-74.org\/wp-content\/uploads\/2021\/08\/cneves3.png\" alt=\"\" class=\"wp-image-3860\" width=\"300\" height=\"317\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/08\/cneves3.png 600w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/08\/cneves3-284x300.png 284w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><figcaption>Carlos Neves | Agenda Sem Fronteiras<\/figcaption><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>VER NA TV | Agenda cultural por Carlos Neves Santiago, It\u00e1lia | Nanni Moretti&nbsp;\u00b7&nbsp;Document\u00e1rio |&#8230;<\/p>\n","protected":false},"author":2,"featured_media":3927,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[207],"tags":[168],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti-150x150.png",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti-300x205.png",300,205,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",633,433,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",497,340,false],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/09\/moretti.png",365,250,false]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a>","tag_info":"AGENDA","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3926"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=3926"}],"version-history":[{"count":3,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3926\/revisions"}],"predecessor-version":[{"id":3933,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/3926\/revisions\/3933"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/3927"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=3926"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=3926"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=3926"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}