{"id":4488,"date":"2021-11-06T13:03:01","date_gmt":"2021-11-06T13:03:01","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=4488"},"modified":"2021-11-09T11:21:32","modified_gmt":"2021-11-09T11:21:32","slug":"rebelde-da-imagem-homenageado-em-paris","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2021\/11\/06\/rebelde-da-imagem-homenageado-em-paris\/","title":{"rendered":"Rebelde da imagem homenageado em Paris"},"content":{"rendered":"\n<p><span class=\"has-inline-color has-vivid-red-color\"><strong>ESPECIAL SF <\/strong><\/span>| Gerald de Bloncourt &#8211; Mairie du 11e PARIS <\/p>\n\n\n\n<p><\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Jean-Pierre Corsia, um dos vereadores da Mairie do 11e Arrondissement de Paris, amigo e camarada de Bloncourt,  deu in\u00edcio \u00e0 sess\u00e3o de proje\u00e7\u00e3o do document\u00e1rio &#8220;G\u00e9rald Bloncourt &#8211; o franco-atirador da imagem&#8221;, uma das iniciativas levadas a efeito no dia 4 de novembro em homenagem ao reputado fot\u00f3grafo da imigra\u00e7\u00e3o portuguesa em Fran\u00e7a. Corsia citou Picasso &#8220;demora muito a ficar jovem&#8221; e afirmou que o G\u00e9rald tinha atingido esse objetivo aos 91 anos. <\/h3>\n\n\n\n<p>O filme, realizado por Silvia Voser e projetado do Salon Festival, <meta charset=\"utf-8\">apresenta um retrato do fot\u00f3grafo, expulso em 1946 de seu pa\u00eds, o Haiti, em consequ\u00eancia das suas atividades e ideias pol\u00edticas. Mostra, com grande sensibilidade, as suas obras (fotografia, pintura, poesia) relacionadas com as lutas, dos trabalhadores, da imigra\u00e7\u00e3o portuguesa acantonada nos bairros de lata da regi\u00e3o de Paris, da independ\u00eancia da Polis\u00e1rio no sul de Marrocos.  Bloncourt foi ainda testemunha da vida quotidiana, das crian\u00e7as a brincar na rua, dos namorados a passear e da  solidariedade entre os mais desfavorecidos da sociedade.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"580\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/pic1-1024x580.png\" alt=\"\" data-id=\"4489\" data-full-url=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/pic1.png\" data-link=\"https:\/\/semfronteiras.eu\/?attachment_id=4489\" class=\"wp-image-4489\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-1024x580.png 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-300x170.png 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-768x435.png 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1.png 1229w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"blocks-gallery-item__caption\">Fran\u00e7ois Vauglin | Maire de Paris 11 na cerim\u00f3nia de homenagem<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"619\" height=\"402\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/placa.png\" alt=\"\" data-id=\"4490\" data-full-url=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/placa.png\" data-link=\"https:\/\/semfronteiras.eu\/?attachment_id=4490\" class=\"wp-image-4490\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/placa.png 619w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/placa-300x195.png 300w\" sizes=\"(max-width: 619px) 100vw, 619px\" \/><figcaption class=\"blocks-gallery-item__caption\">Placa evocativa <\/figcaption><\/figure><\/li><\/ul><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Fot\u00f3grafo militante<br><\/h2>\n\n\n\n<p>Jean-Pierre Corsia especificou tamb\u00e9m que G\u00e9rald foi um artista militante, fot\u00f3grafo sens\u00edvel e poeta pintor defensor dos direitos humanos, da justi\u00e7a e da democracia e que, a sua foto exposta na parede do Jardim Truillot, de um trabalhador que operava sem seguran\u00e7a na Torre Eiffel, desafiaria certamente as crian\u00e7as e os adultos a olharem para o valor do trabalho e ainda para o gesto art\u00edstico do fot\u00f3grafo.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Exposi\u00e7\u00e3o nos port\u00f5es da Pra\u00e7a Raoul Nordling<\/h2>\n\n\n\n<p><br>G\u00e9rald Bloncourt, artista consagrado e residente do 11\u00ba arrondissement, faleceu na noite de 28 para 29 de outubro de 2018, aos 91 anos. O Conselho do Bairro decidiu homenage\u00e1-lo reproduzindo a sua obra La Toilette de la Tour Eiffel em Paris 1960! no Jardin Truillot, no boulevard Voltaire.<br>A partir de segunda-feira, 8 de novembro, a C\u00e2mara Municipal do 11\u00ba distrito homenageia G\u00e9rald Bloncourt atrav\u00e9s de uma exposi\u00e7\u00e3o, a este rebelde da imagem, nos port\u00f5es da Pra\u00e7a Raoul Nordling na rue Saint-Bernard.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p> <\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-gallery alignwide columns-2 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\"><ul class=\"blocks-gallery-grid\"><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"462\" height=\"464\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/Sem-nome-1.png\" alt=\"\" data-id=\"4492\" data-link=\"https:\/\/semfronteiras.eu\/?attachment_id=4492\" class=\"wp-image-4492\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/Sem-nome-1.png 462w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/Sem-nome-1-300x300.png 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/Sem-nome-1-150x150.png 150w\" sizes=\"(max-width: 462px) 100vw, 462px\" \/><figcaption class=\"blocks-gallery-item__caption\">O Jardim Truillot<\/figcaption><\/figure><\/li><li class=\"blocks-gallery-item\"><figure><img decoding=\"async\" loading=\"lazy\" width=\"445\" height=\"671\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/gerald.png\" alt=\"\" data-id=\"4494\" data-full-url=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/11\/gerald.png\" data-link=\"https:\/\/semfronteiras.eu\/?attachment_id=4494\" class=\"wp-image-4494\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/gerald.png 445w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/gerald-199x300.png 199w\" sizes=\"(max-width: 445px) 100vw, 445px\" \/><figcaption class=\"blocks-gallery-item__caption\">Gerald de Bloncourt<\/figcaption><\/figure><\/li><\/ul><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>Fotos \u00a9 JP Corsia e arq<em>uivo de Bloncourt<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>ESPECIAL SF | Gerald de Bloncourt &#8211; Mairie du 11e PARIS Jean-Pierre Corsia, um dos&#8230;<\/p>\n","protected":false},"author":2,"featured_media":4489,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[239],"tags":[261],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1.png",1229,696,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-150x150.png",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-300x170.png",300,170,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-768x435.png",640,363,true],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-1024x580.png",640,363,true],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1.png",1229,696,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1.png",1229,696,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-1115x696.png",1115,696,true],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-800x500.png",800,500,true],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-1024x580.png",1024,580,true],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-540x340.png",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/11\/pic1-400x250.png",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/especial-sf\/\" rel=\"category tag\">ESPECIAL-SF<\/a>","tag_info":"ESPECIAL-SF","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4488"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=4488"}],"version-history":[{"count":4,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4488\/revisions"}],"predecessor-version":[{"id":4501,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4488\/revisions\/4501"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/4489"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=4488"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=4488"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=4488"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}