{"id":4606,"date":"2021-12-08T18:43:57","date_gmt":"2021-12-08T18:43:57","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=4606"},"modified":"2021-12-08T18:43:59","modified_gmt":"2021-12-08T18:43:59","slug":"os-amantes-sacrificados-de-kurosawa","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2021\/12\/08\/os-amantes-sacrificados-de-kurosawa\/","title":{"rendered":"Os amantes sacrificados de Kurosawa"},"content":{"rendered":"\n<p>AGENDA | Cinema<\/p>\n\n\n\n<p>Kobe, 1941. Yusaku e a sua esposa Satoko vivem como um casal moderno e realizado, longe da crescente tens\u00e3o entre o Jap\u00e3o e o Ocidente. Mas depois de uma viagem \u00e0 Manch\u00faria, Yusaku come\u00e7a a agir de forma estranha\u2026 ao  ponto de suscitar suspeitas da sua esposa e das autoridades. <\/p>\n\n\n\n<p>O que \u00e9 que ele est\u00e1 escondendo deles? E at\u00e9 onde Satoko est\u00e1 disposta a ir, para descobrir?<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-4 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column has-cyan-bluish-gray-background-color has-background is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns alignfull is-layout-flex wp-container-2 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-image is-style-default\"><figure class=\"aligncenter size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"725\" height=\"346\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2021\/12\/kuro-1.jpg\" alt=\"\" class=\"wp-image-4609\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-1.jpg 725w, https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-1-300x143.jpg 300w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><\/figure><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"LES AMANTS SACRIFI&amp;Eacute;S de Kiyoshi Kurosawa\" src=\"https:\/\/player.vimeo.com\/video\/595369317?h=380cb466d7&amp;dnt=1&amp;app_id=122963\" width=\"640\" height=\"360\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>AGENDA | Cinema Kobe, 1941. Yusaku e a sua esposa Satoko vivem como um casal&#8230;<\/p>\n","protected":false},"author":2,"featured_media":4608,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[207],"tags":[96],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-300x143.jpg",300,143,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",640,305,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",640,305,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro.jpg",725,346,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2021\/12\/kuro-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a>","tag_info":"AGENDA","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4606"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=4606"}],"version-history":[{"count":2,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4606\/revisions"}],"predecessor-version":[{"id":4610,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/4606\/revisions\/4610"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/4608"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=4606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=4606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=4606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}