{"id":6696,"date":"2022-05-21T15:25:52","date_gmt":"2022-05-21T15:25:52","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=6696"},"modified":"2022-05-22T16:50:51","modified_gmt":"2022-05-22T16:50:51","slug":"nao-apaguem-os-nossos-rastos","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2022\/05\/21\/nao-apaguem-os-nossos-rastos\/","title":{"rendered":"N\u00c3O APAGUEM OS NOSSOS RASTOS !"},"content":{"rendered":"\n<p><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\"><strong>AGENDA <\/strong><\/mark>| Filme | 12 a 25 de Maio<\/p>\n\n\n\n<p>O filme &#8220;N\u00c3O APAGUEM OS NOSSOS RASTOS ! Dominique Grange, uma cantora de protesto &#8221; continua no Cinema City Alvalade em Lisboa. A decorrer dos dias 12 ao 25 de Maio. Uma sess\u00e3o di\u00e1ria todos os dias \u00e0s 19:40.<\/p>\n\n\n\n<p>O realizador portugu\u00eas Pedro Fidalgo foi o obreiro de \u201cN\u2019effacez pas nos traces!\u201d, filme intemporal sobre a cantora Dominique Grange que resiste em Fran\u00e7a desde o Maio de 68 a todas as formas de opress\u00e3o. O filme, num espirito completamente libert\u00e1rio, evoca os recentes movimentos sociais franceses viajando at\u00e9 \u00e0 Comuna de Paris, passando tamb\u00e9m por Maio de 68, at\u00e9 aos nossos dias. <\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" loading=\"lazy\" width=\"1024\" height=\"576\" data-id=\"6701\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2022\/05\/neffax-1024x576.jpeg\" alt=\"\" class=\"wp-image-6701\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/neffax-1024x576.jpeg 1024w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/neffax-300x169.jpeg 300w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/neffax-768x432.jpeg 768w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/neffax-1536x864.jpeg 1536w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/neffax.jpeg 1707w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/figure>\n\n\n\n<p>A hist\u00f3ria \u00e9 ilustrada pelo desenhador Tardi que participa no filme como narrador e personagem.&nbsp;<br>Curiosamente Dominique Grange \u00e9 autora do hino maoista do p\u00f3s-Maio de 68 &#8220;Les Nouveaux Partisans&#8221;, can\u00e7\u00e3o que foi adaptada para portugu\u00eas pelo G.A.C. &#8211; Vozes na Luta, em 1976, intitulada &#8220;At\u00e9 \u00e0 Vit\u00f3ria Final ! &#8220;.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GAC - At\u00e9 \u00c0 Vit\u00f3ria Final\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/hFhYLvdMJrE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Trailer do filme :<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"N\u2019effacez Pas Nos Traces !\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/jg-PvFIVvjk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>Realiza\u00e7\u00e3o Pedro Fidalgo<br>Imagem Renaud Drovin<br>Som Tristan Philippot<br>Montagem Nadir Hadj\u00e9rioua<br>Mistura e montagem de som Miguel Morais Cabral<br>Corre\u00e7\u00e3o de cor Charles Traboulsi<br>Dire\u00e7\u00e3o de produ\u00e7\u00e3o Pedro Fidalgo<br>Conselhos de produ\u00e7\u00e3o Lucile Fanton<br>Can\u00e7\u00f5es Dominique Grange<br>Desenhos e voz Tardi<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" loading=\"lazy\" width=\"553\" height=\"712\" data-id=\"6697\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2022\/05\/garde1.jpeg\" alt=\"\" class=\"wp-image-6697\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/garde1.jpeg 553w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/garde1-233x300.jpeg 233w\" sizes=\"(max-width: 553px) 100vw, 553px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><br>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AGENDA | Filme | 12 a 25 de Maio O filme &#8220;N\u00c3O APAGUEM OS NOSSOS&#8230;<\/p>\n","protected":false},"author":2,"featured_media":6698,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[207,238,276],"tags":[],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1-300x170.jpg",300,170,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1.jpg",560,317,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1-540x317.jpg",540,317,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/05\/dg1-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/videos\/\" rel=\"category tag\">V\u00cdDEOS<\/a>","tag_info":"V\u00cdDEOS","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6696"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=6696"}],"version-history":[{"count":3,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6696\/revisions"}],"predecessor-version":[{"id":6703,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/6696\/revisions\/6703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/6698"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=6696"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=6696"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=6696"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}