{"id":8540,"date":"2022-12-04T21:04:11","date_gmt":"2022-12-04T21:04:11","guid":{"rendered":"https:\/\/semfronteiras.eu\/?p=8540"},"modified":"2022-12-06T23:00:49","modified_gmt":"2022-12-06T23:00:49","slug":"emma-leva-nos-num-ambiente-intimista-de-buenos-aires-a-paris","status":"publish","type":"post","link":"https:\/\/nsf.pt\/index.php\/2022\/12\/04\/emma-leva-nos-num-ambiente-intimista-de-buenos-aires-a-paris\/","title":{"rendered":"Emma leva-nos, num ambiente intimista, de Buenos Aires a Paris"},"content":{"rendered":"\n<p>4 de dezembro. 2022<\/p>\n\n\n\n<h2 class=\"wp-block-heading\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-red-color\">AGENDA | DE BUENOS AIRES A PARIS<\/mark>, Emma Alonso<\/h2>\n\n\n\n<p>No Teatro da Rainha, Caldas da Rainha, 10 de dezembro, \u00e0s 18h30<\/p>\n\n\n\n<p>Emma Alonso (voz) apresenta com Jos\u00e9 Manuel Vaquero (piano) uma viagem musical que atravessa a can\u00e7\u00e3o francesa, o tango, a m\u00fasica de Piazzolla, Theodorakis, Kurt Weill, a bossa-nova, entre outras m\u00fasicas da Am\u00e9rica Latina e do Mediterr\u00e2neo\u2026 Trata-se de uma encena\u00e7\u00e3o simples em que a m\u00fasica do piano e da voz s\u00e3o protagonistas. A express\u00e3o musical e humana de ambos os int\u00e9rpretes cria um ambiente intimista com a cumplicidade do p\u00fablico.<\/p>\n\n\n\n<div style=\"height:11px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large is-style-default\"><img decoding=\"async\" loading=\"lazy\" width=\"720\" height=\"382\" data-id=\"8541\" src=\"https:\/\/semfronteiras.eu\/wp-content\/uploads\/2022\/12\/emmapic.jpg\" alt=\"\" class=\"wp-image-8541\" srcset=\"https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg 720w, https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic-300x159.jpg 300w\" sizes=\"(max-width: 720px) 100vw, 720px\" \/><\/figure>\n<\/figure>\n\n\n\n<div style=\"height:12px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Emma Alonso, licenciada em Teatro e Filosofia, interpreta diferentes estilos como a can\u00e7\u00e3o francesa, o tango e a bossa-nova. Ao longo da sua carreira tem participado em diversos projectos ligados \u00e0 m\u00fasica e ao canto.<\/p>\n\n\n\n<p>Jos\u00e9 Manuel Vaquero, formado no Conservat\u00f3rio Superior de M\u00fasica de Sevilha, um m\u00fasico vers\u00e1til que domina diferentes instrumentos musicais. Foi fundador e faz parte do grupo \u201cArtefactum\u201d \u2013 especializado no repert\u00f3rio da Idade M\u00e9dia. Dirige a orquestra de Lola Reina desde 2009 e cria temas musicais para v\u00e1rias s\u00e9ries.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Programa<br>1. MAR\u00cdA, MAR\u00cdA. Milton Nascimento\/Fdo. Brandt<br>2. ZAMBA PARA NO MORIR. N.J. Ambros\/H.A. Rosales\/H.R. Lima<br>3. ZAMBA DE BALDERRAMA. G. Leguizamon\/M. Castilla<br>4. AN THIMITHIS TO ONEIRO MOU. Mikis Theodorakis<br>5. CHIQUIL\u00cdN DE BACH\u00cdN. A. Piazzolla\/H. Ferrer<br>6. LOS CUATRO MULEROS. Trad. Espa\u00f1a. Armonizada por F. G. Lorca<br>7. ANDA JALEO. Trad. Espa\u00f1a. Armonizada por F. G. Lorca<br>8. ZORONGO GITANO. Trad. Espa\u00f1a. Armonizada por F. G. Lorca<br>9. YOUKALI. Kurt Weill\/ Roger Fernay<br>10. TONADA DE ORDE\u00d1O. Trad. Venezuela.<br>11. NEGRA ATILIA. H.R. Mart\u00ednez\/P.R. Camacaro<br>12. \u00c1GUAS DE MAR\u00c7O. Tom Jobim<br>13. LA MAZA. Silvio Rodr\u00edguez<br>14. SIN PIEL. Eladia Bl\u00e1zquez<br>15. LE PARAPLUIE. G. Brassens<br>16. LOS P\u00c1JAROS PERDIDOS. A. Piazzolla\/M. Trejo<\/p>\n\n\n\n<p>*SOUS LE CIEL DE PARIS. J. Dr\u00e9jac\/H. Giraud<\/p>\n\n\n\n<p>Reservas:<br>262 823 302\/ 966 186 871<br>(Segunda a Sexta das 9h \u00e0s 18h)<\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>4 de dezembro. 2022 AGENDA | DE BUENOS AIRES A PARIS, Emma Alonso No Teatro&#8230;<\/p>\n","protected":false},"author":2,"featured_media":8541,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","footnotes":""},"categories":[207,238,317],"tags":[330],"featured_image_urls":{"full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"thumbnail":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic-150x150.jpg",150,150,true],"medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic-300x159.jpg",300,159,true],"medium_large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",640,340,false],"large":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",640,340,false],"1536x1536":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"2048x2048":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"covernews-slider-full":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"covernews-slider-center":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"covernews-featured":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic.jpg",720,382,false],"covernews-medium":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic-540x340.jpg",540,340,true],"covernews-medium-square":["https:\/\/nsf.pt\/wp-content\/uploads\/2022\/12\/emmapic-400x250.jpg",400,250,true]},"author_info":{"info":["Carlos Ribeiro"]},"category_info":"<a href=\"https:\/\/nsf.pt\/index.php\/category\/agenda-2\/\" rel=\"category tag\">AGENDA<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/destaque\/\" rel=\"category tag\">DESTAQUE<\/a> <a href=\"https:\/\/nsf.pt\/index.php\/category\/noticias\/\" rel=\"category tag\">NOTICIAS<\/a>","tag_info":"NOTICIAS","comment_count":"0","_links":{"self":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8540"}],"collection":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/comments?post=8540"}],"version-history":[{"count":1,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8540\/revisions"}],"predecessor-version":[{"id":8542,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/posts\/8540\/revisions\/8542"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media\/8541"}],"wp:attachment":[{"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/media?parent=8540"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/categories?post=8540"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nsf.pt\/index.php\/wp-json\/wp\/v2\/tags?post=8540"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}